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Status Quo frontman Francis Rossi remembers Weeley Festival

Status Quo frontman Francis Rossi remembers Weeley Festival
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Marking 50 years since the epic Weeley Festival | Clacton and Frinton Gazette

Marking 50 years since the epic Weeley Festival | Clacton and Frinton Gazette
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Marking 50 years since the epic Weeley Festival

Lewis Taylor | Lewis Taylor - Record Collector Magazine

Lewis Taylor | Lewis Taylor 39 Views Lewis Taylor’s story is one of the great “what ifs” of British music. Signed to Island, the prolifically talented multi-instrumentalist from Barnet, North London had critical acclaim and vocal support from artists as esteemed as David Bowie. He seemed poised for huge success when this debut album arrived in 1996. Perhaps the music lacked the directness needed for commercial breakthrough. Raised on a diet of Charley Patton, Faust, and Syd Barrett and having played guitar for The Edgar Broughton band, his diverse influences were threaded into multi-layered, musically complex amalgamations of neo-soul and psych, exemplified here by the likes of Lucky, Bittersweet and Track. Alongside the musical experimentation and guitar wizardry, there are stunning harmonies, too – witness the breathtakingly beautiful codas of Track, Song and Damn. But success never arrived and Taylor’s debut (alongside a handful of other brilliant recordings

Music Album reviews by Tony Burke: December 15, 2020

Esoteric ★★★★ This is an excellent four-CD set by the doyens of the ’60s counterculture  the trailblazers of political heavy rock. Their 1969 debut album Wasa Wasa was cut for EMI’s underground label Harvest. Nary a gig ended without mass chanting of Out Demons Out started by the The Fugs who carried out an exorcism of the Pentagon in 1967. Fights and vandalism broke out at some student union gigs and Tony Blackburn made their Hotel Room 1971 single his record of the week. The four album’s include Bandages (NEMS), Live Hits Harder (BB Records), Parlez Vous English (Babylon) and Superchip  The Final Solution (Telex Records).

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