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UF College of the Arts welcomes 'AI and the Arts' faculty cohort to lead research, curriculum, creative practice and interdisciplinary exploration | News | College of the Arts

Muwekma Ohlone SJSU Area Land Acknowledgement

Muwekma Ohlone SJSU Area Land Acknowledgement The San José State University community recognizes that the present-day Muwekma Ohlone Tribe, with an enrolled Bureau of Indian Affairs documented membership of over 550, is comprised of all of the known surviving American Indian lineages aboriginal to the San Francisco Bay region who trace their ancestry through the Missions Santa Clara, San José, and Dolores, during the advent of the Hispano-European empire into Alta California; and who are the successors and living members of the sovereign, historic, previously Federally Recognized Verona Band of Alameda County. Furthermore, the San José State University community recognizes that the university

A Spring Season That Beckons, Even If Theaters Aren't Quite Ready To Reopen

All D65 meetings may start with 'Land Acknowledgement'

Evanston Now 506-word statement decries cultural genocide against Indigenous peoples and settler colonialism toward Blacks. Some school board members displayed Native Land graphics on their Zoom screens during Monday s board meeting. Meetings of governmental bodies in Evanston typically do not open with a prayer or the Pledge of Allegiance. But soon, every board and committee meeting in Evanston/Skokie School District 65 may open with a 506-word recitation of the wrongs inflicted upon Native Americans and enslaved people in the United States. Termed a “Land Acknowledgement,” the statement, according to its authors at the district, serves to “recognize the enduring relationship between Indigenous Peoples and the land stolen from them.”

Weekender: Rogue Book, Arcomusical, Theatre and Writing

Hitting a Straight Lick with a Crooked Stick  is a collection of stories about love and migration, gender and class, racism and sexism that reflect African American folk culture. Brought together for the first time in one volume, the book includes eight of Hurston’s lost Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satirical humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.