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Virtual Buzz Led to the Biggest Movie Sale in Sundance History

Virtual Buzz Led to the Biggest Movie Sale in Sundance History Vulture.com 2/4/2021 Chris Lee © Miikka Skaffari/Getty Images Apple TV+ picked up the opening night film CODA for an impressive $25 million. Miikka Skaffari/Getty Images This year’s COVID-19-edition Sundance Film Festival ran four days shorter than usual, screened nearly 40 fewer features than in 2020, and unfolded entirely online. Ahead of opening night, attendants and competitors wondered whether or not this version of North America’s preeminent showcase for indie cinema would retain its luster as a hot place arguably the hottest place anywhere to sell art-house movies. Those concerns seemed to melt away, however, when the film

President : Film Review | Sundance 2021 | Hollywood Reporter

A doc whose topicality feels like a double-edged sword. TWITTER The evidence of voting fraud during Zimbabwe’s 2018 election piles up in Camilla Nielsson’s documentary. The 2018 presidential elections in Zimbabwe, fought between former vice president Emmerson “the crocodile” Mnangagwa and the bright young opposition candidate Nelson Chamisa, were a dismal affair rife with election fraud, if you follow the persuasive arguments mounted by documaker Camilla Nielsson in President. Chamisa, a 40-year-old lawyer running on an anti-corruption, pro-employment platform, is obviously the people’s candidate, but can his team buck the dirty tricks and ballot-stuffing of his adversary? It’s a through-the-looking-glass moment in history that can’t help but echo the recent election furor in you-know-what-country.

How I Shot That: The Cameras and Cinematography Behind Sundance s Documentary Films

How I Shot That: The Cameras and Cinematography Behind Sundance’s Documentary Films IndieWire 2/1/2021 When choosing cameras and lenses, nonfiction filmmakers are not only guided by the look, feel, and cinematic language they want to employ, but also by what their production demands and resources allow. Which is why in answering the question of why they picked the gear they used to shoot their Sundance nonfiction feature premieres, this year’s crop of cinematographers and directors also tell us how they shot their movies the challenges and choices, as well as their cinematic styles. More from IndieWire “Ailey” Lens: Canon CN-E Cine primes; CN-E30-105mm zoom & L-series lenses.

Misha and the Wolves : Film Review | Sundance 2021

Enjoyable if you re seeking playfulness and not substance. TWITTER Sam Hobkinson s documentary explores a (literally) unbelievable story of Holocaust survival and why people choose to believe. Fox Mulder made the slogan I Want To Believe iconic with his UFO poster on The X-Files, but the reason it has spawned so much memorabilia and so many memes is that it speaks to a very human desire. We re a credulous species, even if we re aware that con men and fraudsters abound. It s programmed into us to want to believe, no matter how outlandish a bill of goods we re being sold. Sam Hobkinson s documentary

NEON Acquires Flee, Reveals Night of the Kings Trailer

NEON Acquires Flee, Reveals Night of the Kings Trailer
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