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Erlesen - Die Unerschöpflichkeit der Literatur

Erlesen - Die Unerschöpflichkeit der Literatur
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In James Merrill s Letters, a Workshop and a Stage for the Poet s Wit

In James Merrill’s Letters, a Workshop and a Stage for the Poet’s Wit James Merrill found that letters suited him better than essays. Quick literary judgments became an epistolary specialty.Credit.The New London Day Buy Book ▾ By Thomas Mallon A WHOLE WORLD Edited by Langdon Hammer and Stephen Yenser When he was 25 and traveling abroad, the poet James Merrill (1926-95) learned that his mother had destroyed letters he’d been sent from several different men, fearing that they presented her son with a “threat of exposure.” Recounting this incident in “A Different Person” (1993), his too-little-known autobiography, Merrill pointed out how “it never occurred to the alarmists that a person who made no secret of his life was a sorry target for blackmail.” As years passed and his romantic activity remained forthright and far-flung, his mother became, for the most part, “forbearance itself.” She is one of her son’s many co

All good friends and jolly good company: life with the Crichel Boys

All good friends and jolly good company: life with the Crichel Boys
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Mitford, Garbo and a dodgy septic tank: inside England s last great literary salon

Mitford, Garbo and a dodgy septic tank: inside England s last great literary salon Why did everyone from Graham Greene to Benjamin Britten flock to rural Dorset? To meet the Crichel Boys 14 February 2021 • 12:00pm ‘Prose factory’: the rectory at Long Crichel, Dorset Credit: David Grandorge Nancy Mitford, a regular visitor to Long Crichel, a Queen Anne rectory in Dorset, called the house “a prose factory” and its owners “the Brontës”. For Rosamond Lehmann, a visit was one of her “treats and pleasures”. Ben Nicolson, the elder son of Vita Sackville-West and Harold Nicolson, said that “Crichel is almost too good to be true… it seems to me the ideal house.” It was the last of the great English literary salons.

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