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form & concept presents an exciting new body of work by interdisciplinary artist Nikesha Breeze

form & concept presents an exciting new body of work by interdisciplinary artist Nikesha Breeze Nikesha Breeze, 108 Death Masks A Communal Prayer for Peace and Justice, 2018, 108hand-carved ceramic masks, red iron. SANTA FE, NM .- “As I mature as an artist, and as a human being on this planet, I realize that everything I do is actually just one thing,” says Nikesha Breeze. “In my art, which is my life, I want to touch the world, as I am touched. Wound touching wound.” This transcendent notion informs every aspect of the Taos artist’s sweeping exhibition Four Sites of Return: Ritual | Remembrance | Reparation | Reclamation. Breeze’s multifaceted magnum opus distills decades of their creative output, and crystallizes deep truths of the Black experience through visual art and ritual performance. Its appearance at form & concept initiates an exhibition series that will sweep the state and the nation. For Breeze, Four Sites of Return also represents a mantle passed from their ow

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