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Why the message of Architects All Our Gods Have Abandoned Us resonates more today than ever before — Kerrang!

Why the message of Architects’ All Our Gods Have Abandoned Us resonates more today than ever before On the fifth anniversary of Architects’ All Our Gods Have Abandoned Us, we look back at the messages put forth by the band and the late Tom Searle, and how they’re more important now than ever. Words: James Hickie Death is an open door’, the lyrics to Momento Mori tell us. Minutes into 20 August 2016, Tom Searle stepped through that door, having lived with cancer for more than three years – his death announced by his twin brother and bandmate, Dan, via an emotional Facebook post. ​“He was an incredible songwriter and guitarist. He was my closest and oldest friend. He was a funny, intelligent and sweet man and he leaves an enormous void in all our lives.”

Architects: People will recoil at this album – and then find they like it

Architects. CREDIT: Ed Mason/Press Architects: “People will recoil in horror at this record – and then find they actually like it”   The Brighton metalcore band channelled unimaginable hardship into their last album, 2018 s Holy Hell . The follow-up, For Those That Wish To Exist , finds them liberated, they tell In November 2020, Architects played only their second show of the year – from a deserted Royal Albert Hall. The livestreamed gig began by following frontman Sam Carter through the dark venue corridors, leading us down to the auditorium. With his bandmates on the stage and Sam in the centre of the floor, they tore into rabid opener ‘Nihilist’ with enough force to shake the UK’s most beautiful, prestigious venue to its foundation. It was a monstrous start to one of the year’s best online gigs.

Architects – For Those That Wish To Exist review: metal titans test limits

song like ‘Flight Without Feathers’, which sees vocalist Sam Carter eschewing lung- collapsing screams for a gentle vocal over blissful, weightless synths. Nor have they recorded anything as openly anthemic as ‘Meteor’ or danceable as ’Little Wonder’, which features a verse from Royal Blood’s Mike Kerr, a long-time friend of the band. But it’s the stunning ‘Dead Butterflies’, with its epic strings, soaring chorus and Spielbergian sense of wonder that indicates all bets are off as to where Architects could go next. The album was due to be written in Australia, but the band were forced to change their plans as a result of the country’s devastating bushfires, instead heading to Bali to write and record. A sense of helplessness runs throughout a record inspired by Mother Nature’s destructive force, as they ask questions rather than propose answers. On ‘Demi God’, which features amid Bond-style orchestration and

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