Architects. CREDIT: Ed Mason/Press
Architects: “People will recoil in horror at this record â and then find they actually like itâ Â
The Brighton metalcore band channelled unimaginable hardship into their last album, 2018 s Holy Hell . The follow-up, For Those That Wish To Exist , finds them liberated, they tell
In November 2020, Architects played only their second show of the year â from a deserted Royal Albert Hall. The livestreamed gig began by following frontman Sam Carter through the dark venue corridors, leading us down to the auditorium. With his bandmates on the stage and Sam in the centre of the floor, they tore into rabid opener âNihilistâ with enough force to shake the UKâs most beautiful, prestigious venue to its foundation. It was a monstrous start to one of the yearâs best online gigs.
Architects - For Those That Wish To Exist | Reviews
diymag.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from diymag.com Daily Mail and Mail on Sunday newspapers.
Album review: Architects – For Those That Wish To Exist — Kerrang!
kerrang.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kerrang.com Daily Mail and Mail on Sunday newspapers.
song like âFlight Without Feathersâ, which sees vocalist Sam Carter eschewing lung-
collapsing screams for a gentle vocal over blissful, weightless synths. Nor have they
recorded anything as openly anthemic as âMeteorâ or danceable as âLittle Wonderâ,
which features a verse from Royal Bloodâs Mike Kerr, a long-time friend of the band.
But itâs the stunning âDead Butterfliesâ, with its epic strings, soaring chorus and
Spielbergian sense of wonder that indicates all bets are off as to where
Architects could go next.
The album was due to be written in Australia, but the band were forced to
change their plans as a result of the countryâs devastating bushfires, instead heading to Bali to write and record. A sense of helplessness runs throughout a record inspired by Mother Natureâs destructive force, as they ask questions rather than propose answers. On âDemi Godâ, which features amid Bond-style orchestration and