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[Report] Stages of Grief, By William Deresiewicz

Adjust Share It doesn’t take a Leonardo-level intellect to figure out that the pandemic has been devastating for the arts economy. Live events were the first things to stop, and they will be the last to return. That means musicians, actors, and dancers, plus all the people who enable them to take the stage playwrights and choreographers, directors and conductors, lighting designers and makeup artists, roadies, ushers, ticket takers, theater managers have no way to make a living from their work, and haven’t for more than a year. Still, I don’t think most of us appreciate just how bad things are. The crisis goes well beyond the performing arts. Surveys published last summer found that 90 percent of independent music venues were in danger of closing for good, but so were a third of museums. In a survey by the Music Workers Alliance, 71 percent of musicians and DJs reported a loss of income of at least 75 percent, and in another, by the Authors Guild, 60

What is the Union of Musicians and Allied Workers? Unionizing efforts come to the music industry s streaming era

The music industry, at just about every level below the C-suite, has had enough. The recording business is still haunted by its 2000s slump, which resulted from a rapid decrease in physical and digital unit sales as well as the fallout from multiple economic recessions. Yet it’s largely recovered from those lows: The industry has been consistently profitable as a whole since 2014, thanks primarily to streaming and, in part, still-growing vinyl sales. But both artists and label staffers have time and again made clear that the industry’s newfound wealth is not trickling down to most of them; unjust label deals and the complicated mechanics of streaming finances have excluded them from this economic turnaround. And, after experiencing decades of career precarity while falling back on a fragile safety net, receiving little to no government support, and facing relentless deprivation due to the pandemic-induced economic crash, musicians and music workers in all sectors of the industry

New reports show extent of pandemic s devastation of the arts in New York City, California and nationwide

The “loss to the nation’s artistic and creative output may prove incalculable” New reports show extent of pandemic’s devastation of the arts in New York City, California and nationwide A number of reports released since the beginning of 2021 provide further insight into the unprecedented impact the COVID-19 pandemic has had and is continuing to have on the sphere of arts and culture in the US, which accounts for millions of arts workers and artists making up 3.4 percent of the total national work force. A report by the New York State Comptroller’s office, released February 24, on the effects of COVID-19 on the New York City arts, entertainment and recreation sector, which employed 128,400 workers in 2019, found that employment fell by 66 percent in 2020. However, as the study itself points out, given that this figure does not take into account nearly 31,000 self-employed workers and freelancers, often the first to lose work, the jobless rate is undoubtedly higher.

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