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Neill Blomkamp se mete en el cine de terror con Demonic luego de 5 años ausente de las producciones

Neill Blomkamp se mete en el cine de terror con Demonic luego de 5 años ausente de las producciones
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The Vigil and Saint Maud Are a Killer Double Feature – /Film

Being alone indoors is a common facet of pandemic life, but in The Vigil and Saint Maud, it’s also a recipe for religious horror. These two films, which recently hit VOD and streaming, bend in opposite directions yet are cut from the same cloth. Both have first-time writer-directors at the helm and both are distributed by indie-horror labels ( IFC Midnight and A24, respectively). Moreover, both center on an isolated individual who comes to believe that a supernatural force is reaching out to them. In The Vigil, it’s a demon from Jewish folklore, the mazzik. In Saint Maud, it’s a Welsh-speaking version of God himself.

Movie review: The Vigil

As a society, we aren’t exactly comfortable with death. Different communities and different cultures have their own unique traditions and approach the death of a loved one according to custom. Increasingly, Americans have a difficult time coming to terms with the loss of someone close, perhaps because they have not accepted their own mortality. Spending time with the deceased can, however, be beneficial for those who feel comfortable with the practice, as it offers an opportunity for relatives to say goodbye. It provides a sense of closure. Growing up, I saw plenty of “dead” people in my living room — a constant barrage of homicide victims that sent 1970s TV detectives on the trail of that week’s guest killer. When relatives died, my parents shielded me from their funerals — for better or worse. It wasn’t until I was 20 that I encountered death firsthand: My father died at home alone, sitting in his favorite chair in front of the television in the

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