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Ji hlava s Emerging Producers Deliver Elevator Pitches for Their Documentary Projects (EXCLUSIVE)

Ji hlava s Emerging Producers Deliver Elevator Pitches for Their Documentary Projects (EXCLUSIVE)
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Alice Lemaire • Producer, Michigan Films

Alice Lemaire • Producer, Michigan Films
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Alice Lemaire • Produttrice, Michigan Films

Alice Lemaire • Produttrice, Michigan Films Oggi la fantasia degli sceneggiatori difficilmente supera la vita reale Questo articolo è disponibile in inglese. Belgian producer Alice Lemaire, of Michigan Films, selected for the 2021 Emerging Producers programme, discussed documentary production in the current situation. Why do you produce documentaries? Do you understand documentary film as an instrument of social and political change? Alice Lemaire: As a former history student, I’ve always felt bonded to our reality that I think is so complex and full of layers that scriptwriters’ imagination can hardly beat current life. I have also always found documentary film to be the most fertile playground for filmmakers’ experimentation and research in the language of cinema – especially in Belgium which is a great “land of freedom” for documentary filmmaking. I think that films are very rarely effective instruments of change, but I believe that th

Alice Lemaire • Producer, Michigan Films

Alice Lemaire • Producer, Michigan Films “Scriptwriters’ imagination can hardly beat current life” Belgian producer Alice Lemaire, of Michigan Films, selected for the 2021 Emerging Producers programme, discussed documentary production in the current situation. Why do you produce documentaries? Do you understand documentary film as an instrument of social and political change? Alice Lemaire: As a former history student, I’ve always felt bonded to our reality that I think is so complex and full of layers that scriptwriters’ imagination can hardly beat current life. I have also always found documentary film to be the most fertile playground for filmmakers’ experimentation and research in the language of cinema – especially in Belgium which is a great “land of freedom” for documentary filmmaking. I think that films are very rarely effective instruments of change, but I believe that the choices we make in terms of writing, making fi

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