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Shreveport s John-Henry Crawford releases debut album, Dialogo
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Chelsea Guo Releases CHOPIN: IN MY VOICE
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Leila Josefowicz and Jackson Pollock. Photo: Stephanie Berger
Amid works by Jackson Pollock and Mark Rothko at the Metropolitan Museum of Art – and with no audience – Bach’s Partita no.2 took on an even more introspective context than usual. In the hands of Leila Josefowicz, the result was aching and virtuosic, and reaffirmed Bach’s role as the voice many artists turn to in times of distress.
Her fleet Gigue was a delight all on its own, but the Chaconne, as is often the case, elbowed its way into the spotlight by sheer structural virtue alone. It didn’t hurt that Josefowicz played in tune with luscious ease, her phrases lightly echoing as she gently turned back and forth in the gallery. Muted lighting and slowly circling camerawork added to the impact – not to mention superb sound engineering from veteran Adam Abeshouse. The barrelling central section brought out feverish abandon and enviable focus. Double-stops near the end radiated joy. Exhausting arpeggios, ticklish
Elizabeth Chang Earlier this month, UMass professor of violin Elizabeth Chang released her new CD, “ Transformations ,” on Albany Records. The release features works by Leon Kirchner; Roger Sessions; and Arnold Schoenberg; and is rooted in the cross-generational connections between Chang and these composers. The CD was produced, engineered and mastered by Adam Abeshouse, a past GRAMMY-winner of Classical Producer of the Year, with David Schneider, Andrew W. Mellon Professor of Music at Amherst College, providing the liner notes. While at Harvard, Chang studied under Kirchner, who in turn studied with both Sessions and Schoenberg, two of the most influential composers of the twentieth century. According to Chang, “Both Sessions and Schoenberg were pioneers in seeking a new compositional language in the post-tonal world while being deeply rooted in the Germanic tradition.” She describes Kirchner as having had a “profound artistic and pe
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