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Altitude Sells Oliver Stone s Doc JFK Revisited: Through the Looking Glass at Cannes Premiere

Altitude Sells Oliver Stone s Doc JFK Revisited: Through the Looking Glass at Cannes Premiere
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Oliver Stone s JFK Revisited Doc Sells Widely For Altitude Ahead Of Cannes Premiere

Oliver Stone s JFK Revisited Doc Sells Widely For Altitude Ahead Of Cannes Premiere
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Realscreen » Archive » Cannes 21: Altitude sells Oliver Stone s JFK Revisited in several markets

Realscreen » Archive » Cannes 21: Altitude sells Oliver Stone s JFK Revisited in several markets
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Flee Review: Doc Explores the Layers of Truth in Afghan Refugee s Survival Story

Flee Review: Doc Explores the Layers of Truth in Afghan Refugee s Survival Story Flee Review: Doc Explores the Layers of Truth in Afghan Refugee s Survival Story Animation proves an ideal medium by which to both mask and reveal the identity of a gay man who escaped Afghanistan and reinvented himself. Peter Debruge, provided by FacebookTwitterEmail Courtesy of Cinephil Amin Nawabi is not the real name of the Afghan refugee introduced in the Sundance movie “Flee,” nor is that his real face, which has been distorted by animation to protect his identity. As “Flee” unfolds, you may also start to question whether the story Amin shares is even real, doubling back and contradicting itself as it does over the course of director Jonas Poher Rasmussen’s unconventional portrait.

Review: I Have Been Waiting for You

14/12/2020 - Stéphanie Pillonca explores the topic of adoption from four points of view in this highly emotive documentary where the past, the present and the future meld together to form a child I feel really alone and I keep my mouth shut when I see that storks are dropping babies all around me, that they’ve passed by this way. I want to scream, I feel like crying, I throw my arms around your neck. What do other people do? What do they have that we don’t? Spoken by one the film’s protagonists, these words from the song

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