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Civil War and Its Aftermath

Civil War and Its Aftermath
nga.gov - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from nga.gov Daily Mail and Mail on Sunday newspapers.

Manifest Destiny and the West

Manifest Destiny and the West
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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   NEW YORK, NY .- At this year’s LA Art Show, Rehs Contemporary will present a selection of works featuring some of the most iconic Marvel Comic characters; paintings completed by David Palumbo for Marvel Masterpieces 2020. At the art fair, which takes place at the Los Angeles Convention Center from July 29- August 1st, 2021, there will be a dozen works from the series on display; the first in-person viewing since they were unveiled. Back in 1992, the non-sport trading card industry was transformed by an ambitious new release – Marvel Masterpieces. Every other year, Upper Deck Entertainment and Skybox team up with a single artist to release a new premium set of trading cards. It is the artist’s job to put their own unique spin on iconic superheroes and villains… David Palumbo was selected to complete the most recent set, which was put out last year. As his most extensive project to date, it required the completion of 135 original . More

Visualizing Desire: A Review of Love, Lust, and Loss in Renaissance Europe at the Smart Museum

Two striking spalliere (paintings made to be shown at shoulder height) depict the pursuit of Daphne by Apollo. The first presents her asleep in a rural scene, dress falling open at the thigh where a zagging gold thread strains to keep the folds together. Apollo stands over her, leaning on a staff, head in profile, gaze intent on the recumbent figure. His impending act of predation we know, as fifteenth-century viewers would have known from their Ovid, that this balmy scene of visual consumption portends attempted rape is touched off by a moment of calm spectatorship. Apollo is all action in the next panel, chasing Daphne with arm outstretched as her limbs begin to transform into the woody roots of a tree, but the first painting strikes me as the more ominous of the pair. It implicitly enlists us as Apollo’s accomplices. Looking at a painting of a sleeping woman is uncomfortably analogized to sexual assault.

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