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They were made to feel they don t belong here : How playwright s racism experiences helped inspire new play
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Whether this situation is dramatic, or plausible, enough to be a play is open to question and you learn very little about the characters in Jaimini Jethwa’s work, her contribution to Soundstage, the new season of audio plays hosted by the Royal Lyceum Edinburgh and Pitlochry Festival theatres.
Speaking an elaborate Dundonian patois, the characters don’t appear to have families or social connections. And they fantasise that they are Hindu gods and goddesses.
For sure, it’s bizarrely amusing to hearing the words Marhabharata, Dashavatara and Bhagavad Gita in thick Scots accents, in sentences that include the words “North Pus,” “nae ridin’ and bidin’” and “a’ this ding-dong charlie.”
Amy Manson in The White Princess TV Series, 2017.
Appearing on Zoom from her home in North London Amy Manson appears to be the antithesis of the serial killer she plays in The Nevers, launching in the UK on Sky and Now TV this month [17th].
Smiling, in a pink sweatshirt bearing the words Property of the Hotel Chelsea (she’s been reading Patti Smith’s Just Kids), Manson stars as one of the leads in the eagerly anticipated HBO sci-fi series, and has also been working on Spencer opposite Kristen Stewart as Princess Diana, directed by cult Chilean (Jackie) director Pablo Larrain. Also due for release is the pre-covid She Will, a film set around Aviemore in Manson’s native Scotland.
Submitting.
“Her methods are madness but I don t think she s mad. I think she is on this kind of pilgrimage to tear down the patriarchy and hold a mirror up to society and to people who abused her. She is intent on revenge and will do anything to succeed in her mission.”
“The abuse she underwent within the asylum turned her into a different human being from the woman who didn’t have a say. She discovered her power was pain and the more she had inflicted on her, the greater her power and she evolved into this almost manic woman.”
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