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World Television Premiere of Tuesdays and Fridays on Sony MAX
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Poonam Dhillon s son Anmol Dhillon opens up on millennial dating, says relationships are tricky
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Recently, the film made its digital release on Netflix India and has been trending in the Top 10 category ever since. Apart from fans reaching out to Jhataleka, the newbie is touched about the number of women messaging her via social media about the interpersonal relations depicted in the film from family to love to friendships and more.
Speaking about the reactions to ‘Tuesdays and Fridays’, Jhataleka said, It s truly humbling and surreal to get such a reaction for my debut film. I am so glad that through Sia, I have managed to connect with girls of all ages and even mothers on the importance of self respect, financial independence, the value of relationships more. The messages have been overwhelming and I am so thankful to the entire team, because a film is a team effort. Given the times that we are in, I urge everyone to stay safe, stay home and watch the content you like on OTT or otherwise. If in a small way, the film can bring happiness to families in such times, then th
Tuesdays and Fridays
The Pakistani audiences’ desperation to watch anything Bollywood is, at times, appalling and pitiful. Take into account exhibit A: Tuesdays and Fridays, a movie that sets a record low-bar for dumb, amateur cinema that’s trending at the fourth spot on Netflix’s charts.
Released this February, and produced by Sanjay Leela Bhansali (what was the guy thinking?), this plodding story fixes its gaze firmly on Sia (2014’s first runner-up Miss India, Jhataleka Malhotra), a young lawyer who lives in Mumbai but flies to London for long stretches of time, because she’s so good that her firm allows her to work online.
What s on at the cinema?
Blithe Spirit. The rule of thumb tends to be: if the movie’s title is even approaching a pun, avoid it. However, we’re going to have to hang the golden regulation this week as Blithe Spirit looks like our choice picture. As a result of the stellar cast and the fact it is based on a Noel Coward play, how could we possibly settle on anything else? 1930s writer Charles Condomine (Dan Stevens) is having a tough time converting his award-winning novel into a screenplay. He hires spiritualist medium Madame Arcati (Judi Dench) to conduct a private séance at a party in order to get the creative juices flowing. Presumed to be a fraud, Arcati inadvertently conjures up the ghost of Condomine’s first wife Elvira (Leslie Mann) who, much to the consternation of his current spouse (Isla Fisher), decides to stick around and cause havoc. Does true love really never die? IMDb gives it 5.3
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