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How colonialism eroded Pakistan s history of religious fluidity

How colonialism eroded Pakistan’s history of religious fluidity Haroon Khalid © The complex containing the shrine of Ram Thaman, a 16th-century Hindu saint, where the annual festiv. The complex containing the shrine of Ram Thaman, a 16th-century Hindu saint, where the annual festival of Vaisakhi begins in Ram Thaman, Pakistan, this year on April 13 [Haroon Khalid/Al Jazeera] Inside the courtyard of a house in the village of Ram Thaman, near Lahore in Pakistan, an audience has gathered. Next to a wooden cot, seven or eight young men are dancing in a circle, holding sticks that they occasionally beat together. Others – mostly men and one transgender person – join in, dancing passionately to the beats of these sticks.

How colonialism eroded Pakistan s history of religious fluidity | History News

How colonialism eroded Pakistan s history of religious fluidity

How colonialism eroded Pakistan s history of religious fluidity
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Aima Baig, Young Stunners and Naseebo Lal join forces for PSL anthem | Instep

February 14, 2021 This year the anthem has arrived with aplomb. A showcase of gender equality with artists representing multiple genres, the single features Naseebo Lal, Aima Baig and Young Stunners Pakistan Super League, better known as PSL, is in its sixth year and like always, has taken off with the release of its annual anthem. While the first three seasons had Ali Zafar at the forefront, the following two years saw Fawad Khan with Young Desi (2019) and then Ali Azmat, Arif Lohar, Haroon and Asim Azhar in 2020. The anthems have always been cause for uproar, good and bad. This year the anthem has arrived with aplomb. A showcase of gender equality with artists representing multiple genres, the single features Naseebo Lal, Aima Baig and Young Stunners.

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