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Anywhere But Here, the albumâs hollow interiority representative of the collectiveâs ongoing identity crisis.
When Joey Bada$$ introduced his Murrow High schoolmates on 2012âs
1999, they arrived with the verve of eager theater kids whoâd stumbled upon a shopworn copy of
Enta da Stage. As the years passed, Pro Era strove to shake the revivalist tag but struggled to to distinguish themselves otherwise. On 2017âs
All-Amerikkkan Bada$$, Joey flitted between street-corner chronicles and we-the-people generational spokesmanship, yet couldnât quite commit to either; the group clung to a nebulous ideal of New York City as a cultural institution in hopes of ascribing their music with secondhand prestige. 2019âs supergroup outing
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