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Transcripts For DW Arts.21 20190804 13:30:00

Take personally. With all the wonderful people and stories that make the game so special. They are all true for. More than football on line. Has liberated contemporary dance by crossing boundaries germanys renowned choreographer is in constant search of new challenges and collaboration is with other artists. For 25 years shes led her company and guests on journeys into the unknown. On stage but icon to both thats just the way it is but if i can dance the special projects now and that im happy. In the early 1990 s. Its left new york for a newly reunified berlin since then has had one success after the other we set down with the energetic choreographer to talk about her rise from the french to major opera houses and her next job as courtis to director of the Berlin State Ballet. The foremost as you started your company 25 years ago with your hands under it could you ever have imagined the International Success youve had since africa. Nonscented i noises after in 1903 After The Fall of th

Choreographer
Berlin
Success
Rise
Sit
French
New-york
1990
One
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Director
Court-is

Detailed text transcripts for TV channel - DW - 20190804:13:33:00

our also said such and nurses at us that we wanted to build bridges with our art and take it to different audiences to countries and cultures that also inspire our work. for the year or is so in that respect alive today isn t all that different than it was 25 years ago. isn t anyone gets. this or unless. it was it s are. the sufi and zillah emitter once hosted meetings of left wing revolutionaries later it was used by the nazis then it was a feeler workshop with its dilapidated charm and checkered history it was the perfect setting for a stash of arts is breakthrough production. and offbeat provide. the production part of

Work
Art
Cultures
Bridges
Audiences
Isn-t
Nurses
Sufi
Anyone
Zillah-emitter
25
Parts

Detailed text transcripts for TV channel - DW - 20190203:22:33:00

identity it was our aspiration and our concept. of also says first that nestles as us that we wanted to build bridges with our art and take it to different audiences to countries and cultures that also inspire our work. for the we re all in so in that respect our life today isn t all that different than it was twenty five years ago. isn t only gets me. though. was it s are. the sufi and zillah emitter once hosted meetings of left wing revolutionaries later it was used by the nazis then it was a fear workshop with its dilapidated charm and checkered history it was the perfect setting for such about this breakthrough production.

Concept
Snestles
Art
Bridges
Aspiration
Identity
Isn-t
Life
Work
Cultures
Audiences
Respect

Detailed text transcripts for TV channel - DW - 20180916:14:22:00

twenty five years ago. isn t anyone gets nice who. was it s our. sophie and zillah emitter once hosted meetings of left wing revolutionaries later it was used by the nazis then it was a feeler workshop with its dilapidated charm and checkered history it was the perfect setting for such about his breakthrough production. and offbeat provocative production part of a trilogy on the absurdities of domestic life the company research for months in communist era housing complexes.

Isn-t
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Who
Anyone
Meetings
Zillah-emitter
Sophie
Twenty-five
History
Feeler-workshop
Charm
Nazis

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