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New artworks by young creatives take over streets of Bankside

A PARTNERSHIP between Tate Collective and Better Bankside has brought five stunning new artworks made by five emerging artists, to Bankside.

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New artworks by young creatives take over streets of Bankside – Press Release

Great Suffolk Street The artworks have been installed by Absolutely Studio, an experienced independent art studio specialising in murals, and Conway who provide infrastructure services in the built environment and public realm. Better Bankside thanks Lee Fitzgerald Architects, Terry’s Café, Omnicom Group and Cardinia Real Estate, Blue Fin Building and Oxford Properties, London Venue Group, Mar I Terra, and the family of Marion Marples, for their permissions to use the selected locations. ABOUT TATE COLLECTIVE Tate Collective is the first free-to-join membership scheme for 16 to 25 year olds at a national UK museum and is open to people anywhere in the world to join online. Members are able to see any of Tate exhibitions for a fiver and also get discounts in Tate’s cafes and shops, as well as having access to exclusive opportunities and events.

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10 Works Under $5,000 on Frieze Viewing Room

Price: $2,000 An eroded US dollar banknote deconstructing money as representational medium and cancelling its value. This work belongs to Woodgate s investigation into the role of automation and its consequences for labor and value.  Agustina Woodgate, K13277993D, 2021. 12 cm x 22 cm x 1.5 cm, Hand-sanded $1 US banknote in acrylic case. Courtesy of the artist and Barro Alannah Farrell (Anat Ebgi) Price: $ 3,000 Neither celebratory nor heroic, Alannah Farrell’s sensitive portraits portray their friends and queer community in moments of solitary contemplation, finding a productive space in reconstruction and the painful process of becoming. Alannah Farrell, Room 13, 2020. 47 cm x 58 cm, Watercolor on paper. Courtesy of the artist and Anat Ebgi

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'It is like Spring in the art world': A more civilised, 'humane' Frieze New York bodes well for the market

William Kentridge, Drawing from Waiting for Sibyl (Comrade Tree, I report to you), (2020) Courtesy: Goodman Gallery The success or failure of Frieze New York could have consequences throughout not only the art fair circuit in the US and abroad, but very likely for other cultural institutions that plan to hold events and are looking at the city s first major cultural gathering in more than a year as a barometer for post-vaccination attendance. Will it work? If the opening day of the fair is any indication, the answer is a flat out yes. Similar to the way elite athletes, pro-tennis players or boxers train in privacy for months prior to a tournament or championship bout, Frieze’s organisers spent months planning their relocation to the Shed. The announcement of the move to Manhattan from Randall’s Island was made in late October last year, but

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Muslim Sisterhood: Dieses Kollektiv feiert die Identität und das Leben muslimischer Frauen heute

Muslim Sisterhood: Dieses Kollektiv feiert die Identität und das Leben muslimischer Frauen heute
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