all of those stories are coming up soon. sport and for a full round up, from the bbc sport centre, here s jane dougall. good afternoon, jane. hello, matthew. there s one english premier league match later on monday with chelsea hosting newcastle in a mid table battle. the two sides are struggling to reach the european places and the pressure is on both managers. mauricio pochettino s chelsea have won just three of their last nine games. newcastle are four points better off in the table, and were the winners in the reverse fixture in november. however, manager eddie howe says they re running out of time to get something from this season, while pochettino insists chelsea must concentrate on themselves and not their opponents. iam i am concerned in our performance and in the way that we are going to deal with now, maybe two or three starting 11 players in the last game that we need to find a different solution again. of course we know very well newcastle and we can assess newcas
i am grateful that my father never really knew the extent of how he was duped. so, i m currently sitting on flight 317, london to zurich, to go and look at the paintings which were willed to beatrice by her parents. and my role really is to just see if the doubts that beatrice had are in any wayjustified. i think the most important thing is that, during my. grandfather s life, - he believed it was a real an original that he d bought. and that s the most important thing at the end of the day, i everybody would love it to be authentic, but it doesn t takei away from the style, which does replicate | lissitsky s. zaks would present buyers with reports from a lab in germany confirming the pigments and other materials matched those used in lissitsky s lifetime. but this alone isn t enough to prove the painting is a genuine lissitsky. so we are going to get some more analysis done in an independent lab. i m drjilleen nadolny. i m the director of the uk branch of art discovery h
i am grateful that my father never really knew the extent of how he was duped. auctioneer call i first heard about the zaks collection from konstantin akinsha and andrei vassiliev. from the very beginning, the story seemed hard to believe. we wanted to understand how paintings of such dubious origin could be sold as genuine works, and how did they end up on the walls of museums all around the world 7 one painting from the zaks collection unexpectedly appeared in a scene from christopher nolan s oppenheimer. a few months later, the same painting turned up in anotherfilm, the wonderful story of henry sugar by wes anderson. i m beatrice gimpel and i m swiss and i m partly french through marriage, but i ve lived here in london in the uk for 49 years 49 very happy years. my parents, especially my father, were very interested in paintings and sculpture and from the mid late 60s, early 70s on, he bought extensively anything he liked. and he did a lot of his homework inviting,
i am grateful that my father never really knew the extent of how he was duped. he auctions i first heard about the zaks collection from konstantin akinsha and andrei vassiliev. from the very beginning, the story seemed hard to believe. we wanted to understand how paintings of such dubious origin could be sold as genuine works, and how did they end up on the walls of museums all around the world? one painting from the zaks collection unexpectedly appeared in a scene from christopher nolan s oppenheimer. a few months later, the same painting turned up in another film, the wonderful story of henry sugar by wes anderson. i m beatrice gimpel and i m swiss and i m partly french, through marriage, but i ve lived here in london in the uk for 49 years 49 very happy years. my parents, especially my father, were very interested in paintings and sculpture and from the mid late 60s, early 70s on, he bought extensively anything he liked. and he did a lot of his homework inviting, ta
he auctions. i am grateful that my father never really knew the extent of how he was duped. he auctions. i first heard about the zaks collection from konstantin akinsha and andrei vassiliev. from the very beginning, the story seemed hard to believe. we wanted to understand how paintings of such dubious origin could be sold as genuine works, and how did they end up on the walls of museums all around the world? one painting from the zaks collection unexpectedly appeared in a scene from christopher nolan s oppenheimer. a few months later, the same painting turned up in anotherfilm, the wonderful story of henry sugar by wes anderson. i m beatrice gimpel and i m swiss and i m partly french, through marriage, but i ve lived here in london in the uk for 49 years 49 very happy years. my parents, especially my father, were very interested in paintings and sculpture and from the mid late 60s, early 70s on, he bought extensively anything he liked. and he did a lot of his homework