The bus transport during the 80s in Seoul, was a rather large business, which, as the film presents from the beginning, was dominated by a multilayered system of corruption. Starting with the fact that the female conductors did not have to present the customers who paid for the fair with any kind of receipt, thus could easily take some of the fare for themselves, the pilfering was then progressed upwards. The drivers also demanded a cut, otherwise they could just not allow for many passengers to get on the bus, The Maiden Who Went to the City, Geum Bo-ra, Han Ji-il, Kim Man, Kim Soo-yong, Lee Young-ok, Twist Kim, Yoo Ji-in
Although internationally celebrated for the first time in "The Wailing", the concept of exorcism has been a recurring one in Korean cinema for decades, with "The Hut" a film that won the I.S.D.A.P., equivalent to Special Directing Award, at the Venice Film Festival, being another prominent sample, although this time, the concept is connected to eroticism, in a rather interesting approach that also deals with the blights of seclusion and disidemony, The Hut, The Wailing, Choi Sung-ho-II, Hwang Jung-soon, Hyun Kill-soo, Kim Yoon-kyung-I, Lee Doo-yong, Namkoong Won, Yoo Ji-in, Yoon Sam-yook