come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
do you wanna play rough? okay. say hello to my little friend. i thought it was excessive and cartoony until i started spending a lot of time in miami. after that, i thought it was a model of restraint. it really was a decade that was fueled by how much money can i make and how can i display it best? the point is, ladies and gentlemen, that greed, for lack of a better word, is good. greed is right. greed works. wall street s a movie about more than just gordon gekko. it s about a father and a son with different world views, playing different roles in an ever-changing economy. he s using you, kid. he s got your prick in his back pocket, but you re too blind to see it.
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