. mark: hello america i am mark levin this is life, liberty and levin. welcome on this sunday and thank you for being here. two great dust later in the program a fantastic lawyer and litigator richard goldberg one of the top experts when it comes to the middle east and the iranian regime will get to that in a moment but first i want to talk about impeachment. what is impeachment? what is it mean? where does all the stuff come from? high crimes and misdemeanors what does that mean? high crimes and misdemeanors you will find it section four of article two of the united states constitution. quotes, the president, vice president all civil officers of the united states shall be removed from office when impeachment for and conviction of treatment, or other high crimes and misdemeanors only want to focus in on the phrase high crimes. there is a lot of confusion about this and i m here to fix it. it has a meaning i doesn t have a meeting at some people might suggest. what is a h
. mark: hello america i am mark levin this is life, liberty and levin. welcome on this sunday and thank you for being here. two great dust later in the program a fantastic lawyer and litigator richard goldberg one of the top experts when it comes to the middle east and the iranian regime will get to that in a moment but first i want to talk about impeachment. what is impeachment? what is it mean? where does all the stuff come from? high crimes and misdemeanors what does that mean? high crimes and misdemeanors you will find it section four of article two of the united states constitution. quotes, the president, vice president all civil officers of the united states shall be removed from office when impeachment for and conviction of treatment, or other high crimes and misdemeanors only want to focus in on the phrase high crimes. there is a lot of confusion about this and i m here to fix it. it has a meaning i doesn t have a meeting at some people might suggest. what is a h
Supposed to be telling us the truth, sometimes fictionalized, right? and here we have a story which is to read that was based on truth but the film itself clearly was not a biography or anything and people have simply lost the ability to be like, this is a piece of art. you cannot tell fact from fiction in either way. right? we have this media class telling us fictional narratives and expecting us to take it as true and that you have people on twitter being like, this movie, like, something turned out not to be true, a look at, god, give back the oscar. this woman who was playing a fictional role is, like, you know, turn the switch. which. you know? we are in this topsy-turvy. i will say and i can t believe i m about to say this but there s a very good article in the washington post which quotes the author and really makes it sound like actually the two wa ways, it is probably going to turn out tha that the the tho not actually screw him over, surprise, surprise. take that as you wil
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Co-director. but did making this film challenge or reinforce any assumptions you had about our current prison system? you know, rev, that is a great question. um, i think one of the things that was very apparent to me wa ways in which this moment even though it happened 50 years ago, this is not sort of an artifact that s fossilized in history. what happened at at ka is very much in conversation and informs a lot of what we understand today. and i always say i can t divorce the making of the film from the time in which we made it. i saw george floyd protests happening when i was in the house, making this film. we all saw the head of the american state using lawmaker attack on protesters as a political opportunity which is the same thing that nelson rockefeller did. we all saw when the pandemic broke out what happened to people in prisons. they were left to essentially get sick and die with this