come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Their movies, visceral shocks, and then moments of great humor. turn to the right. what s the matter, ed? my fiancé left me. they had just finished writing raising arizona , so they asked me to read it and i thought it was, like, amazing. amazing. you know, so funny. raising arizona , as far as i m concerned, is a masterpiece. the idea of taking that 100 mile an hour preston sturges-style dialogue and putting it in the mouths of, like, rednecks in arizona. you busted out of jail. no, ma am, we released ourselves on our own recognizance. what evelle here is trying to say is that we felt the institution no longer had anything to offer us. raising arizona was one of those films where you go, oh, i didn t even know you were allowed to do that. i ll be taking these huggies and whatever cash you got. just the fact that this film is hurtling along with banjos and yodeling.
They had enough scares. they make intensely cool and creative films. it always kind of feels a little bit like they ve adapted a book that no one s ever heard of. every hot hshot has been tho about, and it s shocking. all this time there s shocks in their movies, visceral shocks. and then moments of great humor. turn to the right. what s the matter, ed? my fiance left me. they is asked me to read raising arizona . it was so funny. it s a masterpiece. the idea of taking that 100-mile-per-hour preston sturgis style of dialog and putting it in the mouths of
A book no one s ever heard of. every shot has been thought of, every note of music, the dialogue and it s shocking. all the time this shocks in their movies, visceral shocks. and then moments of great humor. turn to the right. what s the matter, ed? left me. they had just finished writing raising arizona. and asked me to read it and i thought it was like amazing. amazing. you know, so funny. raising arizona as far as i m concerned is a masterpiece. the idea of taking that 100-mile-an-hour preston style dialogue and putting in the red necks in arizona. you busted out of jail. no, ma am. we released ourselves on our own recognizance. we felt the institution no longer had anything to offer us. raising arizona was one of those films where you go i