robinson, apparently tired, punched fairly well and rocked jake right to his heels. come on, ray. a director and actor finds a story at the right time in the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion, all of the black and white gore, the violence of the flush bulbs going off. when he designed the movie, marty purely, he didn t pickup a clutch on the film. there s no clutch. hey, ray, you never went down, ray. you never got me down, ray. it s a boxing movie for people who don t like boxing. because it s really not about that. it s about this man who was based on a real person who is really at war with himself. come on. harder. harder. i didn t really understand boxing, but the character was interesting. he was just so contraire, as they say. he was
what do you stand for? robinson apparently tired and rocked jake lamotta. a director, an actor find a story at the right time in the right place. out comes this amazing combination of cinematic verility and absolute fear. it s like watching an animal. i think raging bull is a great title. the film fulfills the promise. the reality of the boxing and the great slow motion and all of the black and white gore and the flashbulbs. when he designed the movie, mardi didn t put a clutch on the film. there s no clutch. hey, never got down. he never got me down. raging bull is a boxing movie for people who don t like boxing. it s not about that. it s about this man, jake lamotta, based on a real person who is at war with himself. harder. harder. i didn t understand boxing. the character was interesting. he was just so contraire as they say. evers just so difficult. what are you trying to prove? what does it prove? bob de niro, he s not afraid of the negative cha
come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
stallone had become so devoted to having the perfectly chiseled, ultra-muscled upper body. at the same time that arnold schwarzenegger, who of course, had been a body builder, suddenly became an unlikely action star in the 80s too. i don t know if prior to 1980, anyone would have had a firm visual image of what their favorite actor looked like with their shirt off. i mean, can you close your eyes and imagine jimmy stewart or, you know, montgomery clift or, you know, even john wayne without their shirt on? it s not especially central to their image as actors. it will be ridiculous for me to play something outside of that role, and it will be crazy for dustin hoffman to try to be commando or to be conan or to be terminator or to be rambo. it doesn t work, you know? so the people only accept you for certain things. there was a lot of ideas of returning to traditional notions of masculinity after the sensitive 70s, but these things go in cycles, and i think that by the late 80s,
And we make killers and we turn them loose into america and that s a pretty heavy movie and even for a sylvester stallone it plays that realistically and the second film threw that out the window, page 1. sir? do we get to win this time? this time it s up to you. there was a desire to move past the perceived failures of the late 60s and the 70s. you can t re-write history, but at least we can go back and we can bring back these p.o.w.s. we can send back this representative of american might. i must break you. stallone had become so devoted to having the perfectly chiselled, ultra muscled upper body, at the same time that arnold schwarzenegger who, of course, had been a bodybuilder suddenly became an unlikely action star in the 80s, too. i don t know if prior to 1980 anyone would have had a firm visual image of what their favorite actor would have looked