Lopetegui thought he knew what position he was in and actually, they were in different positions and they were in different positions and they just decided they were in different positions and theyjust decided that its best to part ways now rather than struggle on for the first few weeks of the season. Its particularly bizarre that a manager has prepared a team in pre season but wont then take them into the start of that campaign. What was the nature of the disagreements youve been detailing . Basically, whenJulian Lopetegui basically, when Julian Lopetegui came basically, whenJulian Lopetegui came into the club after the world cup, he was told that there would be money to spend. But i think wolves felt as though theyd made it clear that any money that was spent in january would come out of the budget for the summer. He kept wolves up and i think then he thought he was going to go into the Transfer Window and bring more plays in. It was quickly pointed out to him that wouldnt be the ca
Announcer friends, viewers, countrymen, lend me your eyeballs. Las vegas has always been able to grab you by the lapels and pull you in. Little its glitz and glamour, entertainment, gambling. Its a place thats like no other. Announcer with time on your hands and money to spend, your thoughts may turn to las vegas. Anka by the late 60s, vegas started to figure out, what else can we bring here . Woman love you, elvis thank you, dear. Elvis was, like, an alienlike thing. He was so unique, so charming, and so hot. They saw that sex and debauchery sells, so lets do sex and debauchery. [ chuckles ] luck, be a lady tonight luck, be a lady tonight tonight luck, if you ever were a lady to begin with luck, be a lady tonight luck, be a Ladyyyyyy Toniiiiiight The Stars of the las vegas shows may be Frank Sinatra, dean martin, and wayne newton, but for years, the fantasy and the Razzle Dazzle came from the famous longlegged showgirls. The las vegas showgirl was a unique specimen. She was very tall,
yes, do you need to.? take your jacket off. hello, i m john wilson, welcome to this cultural life, the radio four podcast, in which i ask leading creative figures to reveal the key moments in their life, and the most important cultural works that fired their own artistic imagination. my guest is director, screenwriter and playwright mike leigh. he s known for gritty social dramas, including vera drake and secrets and lies. domestic comedies, like life is sweet and happy go lucky, and historical stories, including mr turner and peterloo. i spoke to him in one of the many radio studios in bbc broadcasting house. mike, welcome to this cultural life. let s take you to the beginning. what is your earliest cultural memory? as a kid, we had, and i was exposed to. ..pantomime, live theatre of various sorts. circus. the circus was a big deal. variety. live variety, the old, you know, descendants of the music hall, including, at the age of nine, a trip to the ardwick hippodrome in manc
hello, i m john wilson, welcome to this cultural life, the radio four podcast, in which i ask leading creative figures to reveal the key moments in their life, and the most important cultural works that fired their own artistic imagination. my guest is director, screenwriter and playwright mike leigh. he s known for gritty social dramas, including vera drake and secrets and lies. domestic comedies like life is sweet and happy go lucky, and historical stories, including mr turner and peterloo. i spoke to him in one of the many radio studios in bbc broadcasting house. mike, welcome to this cultural life. let s take you to the beginning. what is your earliest cultural memory? as a kid, we had, and i was exposed to. ..pantomime, live theatre of various sorts. circus. the circus was a big deal. variety. live variety, the old, you know, descendants of the music hall, including, at the age of nine, a trip to the ardwick hippodrome in manchester to see laurel and hardy live on stage.