autism was not diagnosed until he was 50, but his late mother, zeta, recognises difference and remains his inspiration to this day. remains his inspiration to this da . .., ., day. one time i carved a little bird on the day. one time i carved a little bird on the point day. one time i carved a little bird on the point of day. one time i carved a little bird on the point of a - bird on the point of a toothpick, he said, it is too big. then i started to say to myself, well, if i don t make it real small my mom won t appreciated. my mom would all say, diameters in the dustbin, many people would throw them into a bin and not realise what is in there until they take the lead up and realise they have thrown a diamond in there stop thatis thrown a diamond in there stop that is what people are, diamonds. that is what people are, diamonds. . , ., diamonds. techniques he a fascinating. diamonds. techniques he a fascinating. he diamonds. techniques he a fascinating. he also - diamonds.
my mum would always say the diamonds in the dustbin , meaning people would throw them into a bin and not realise what s in there until they take the lid off and realise they ve thrown a diamond in there. and that s what autistic people are, they re diamonds. the techniques he uses are fascinating. he also has a photographic memory. to create this type of artwork, i have to slow down my breathing. i have to work in between my heartbeat. i have to make sure the pulse on my finger doesn t cause any problem. because when you re working on this microscopic level, you have external forces that interfere with your work. i have to avoid that by working at night to avoid any traffic vibration or anything like that. it s like trying to put a pin through a bubble without bursting the bubble. willard s work, ranging from a dragon to the boxer tyson fury, can be seen at birmingham contemporary art gallery. the exhibition here opened four months ago and is now on permanent display. willard s descri
i have to slow down my breathing. i have to work in between my heartbeat. i have to make sure the pulse on my finger doesn t cause any problem. because when you are working on this microscopic level you have external forces that interfere with your work. i have to avoid that by working at night to avoid any traffic vibration or anything like that. it s like trying to put a pin through a bubble without bursting the bubble. willard s works, ranging from a dragon to the boxer tyson fury, can be seen at birmingham contemporary art gallery. the exhibition here opened four months ago and is now on permanent display. willard s described it as his gift to his home city. joanne writtle, bbc news. cricket and england have had an abysmal start to this year s ashes series against australia in brisbane. they won the toss and chose to bat but were bowled out for 147. rory burns became only the second player in ashes history to be out to the first ball of the series. joe wilson reports. # we are the
zetta recognised his difference and remains his inspiration to this day. one time i carved a little bird perched on the point of a toothpick. she said, it s too big. so, you know, then i started to say to myself, well, if i don t make it real small, my mum won t appreciate it. my mum would always say the diamond is in the dustbin, meaning people would throw them into a bin and not realise what is in there until they take the lid off and realise they have thrown a diamond in there. and that is what autistic people are, they are diamonds. the techniques he uses are fascinating. he also has a photographic memory. to create this type of artwork, i have to slow down my breathing. i have to work in between my heartbeat. i have to make sure the pulse on my finger doesn t cause any problem. because when you are working on this microscopic level you have external forces that interfere with your work. i have to avoid that by working at night to avoid any traffic vibration or anything like that.