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Echoes and agreements: A photo essay
Drawing on the Uffizi’s Hypervisions exhibition “On Being Present”
Theophilus Marboah
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In
Five Ways of Being a Painting, historian William Max Nelson writes: “Like any good aphorism, the short sentence functions as both a part and a whole. At first, it seems to make sense in isolation, yet it calls out for placement within a context that could reveal some fuller meaning.”
Top: Vittore Carpaccio, Gli Alabardieri, 1490-1493. Gallerie degli Uffizi, Florence. Su concessione del Ministero per i beni e le attività culturali e per il Turismo; Bottom: Johny Pitts, Berlin, from the series Afropean.