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REVIEW: Apple TV+’s hot new summer drama Losing Alice begins with an encounter not easily forgotten. Sure acclaimed film-maker Alice Ginor (Ayelet Zurer) was used to meeting fans of her work, but few this young, this passionate, this odd. “I wanted to study film because of Three Quarter Moon,” Sophie Marciano (Lihi Kornowski) enthuses from the train seat across from her. “All the sex scenes moulded my sense of femininity, sexuality. I make all my prospective boyfriends re-enact the pasta scene.” Flattered and flabbergasted by this woman half her age’s boldness, Alice can’t help but be impressed by Sophie’s knowledge of her oeuvre, even if it has been years since she last made a feature. Instead, Alice now spends her time editing scripts, directing yoghurt commercials and raising three daughters with her movie star husband David (Gal Toren). Then there’s that script for her next film that she can’t quite complete. ....
As a psychological drama, Losing Alice feels too self-conscious to be enjoyable or even provocative Poulomi Das January 22, 2021 13:55:11 IST Still from Losing Alice. Image from Twitter Losing Alice opens with an eventful chance meeting between two strangers on a train. Sophie Marciano (Lihi Kornowski), a 24-year-old aspiring screenwriter bumps into her idol, 48-year-old movie director Alice Ginor (Ayelet Zurer) one night. Her wide-eyed delight is palpable as she fangirls over Alice, furiously proving her devotion by listing the extent to which her work has affected her life. Like any artist suddenly thrust into the limelight, Alice isn’t entirely pleased about being recognised and by effect, having her solitude interrupted by the demands of a conversation. But her face betrays a hint of relief as well, as if to suggest she isn’t completely displeased at ....