"Tone poem" and "memory play" are two of the most overused terms when it comes to indie arthouse films, yet it’s hard to think of better descriptors for writer/director Kogonada’s elegiac sci-fi family drama "After Yang." After an exuberant burst of an opening credits dance sequence, the movie quickly becomes a wistful meditation on what it means to be human, what it means to be an android and what it means to be a family. Here's film critic Caroline Siede's review.
"Tone poem" and "memory play" are two of the most overused terms when it comes to indie arthouse films, yet it’s hard to think of better descriptors for writer/director Kogonada’s elegiac sci-fi family drama "After Yang." After an exuberant burst of an opening credits dance sequence, the movie quickly becomes a wistful meditation on what it means to be human, what it means to be an android and what it means to be a family. Here's film critic Caroline Siede's review.
"Tone poem" and "memory play" are two of the most overused terms when it comes to indie arthouse films, yet it’s hard to think of better descriptors for writer/director Kogonada’s elegiac sci-fi family drama "After Yang." After an exuberant burst of an opening credits dance sequence, the movie quickly becomes a wistful meditation on what it means to be human, what it means to be an android and what it means to be a family. Here's film critic Caroline Siede's review.
"Tone poem" and "memory play" are two of the most overused terms when it comes to indie arthouse films, yet it’s hard to think of better descriptors for writer/director Kogonada’s elegiac sci-fi family drama "After Yang." After an exuberant burst of an opening credits dance sequence, the movie quickly becomes a wistful meditation on what it means to be human, what it means to be an android and what it means to be a family. Here's film critic Caroline Siede's review.
Pamela Adlon’s comedic but poignant look at the life of a middle-aged single mom feels, in some ways, ahead of its time and that’s been true of “Better Things” since the beginning. Read Ines Bellina's review, plus more on the week in television.