for me, what was important was speaking with the people around in the hours leading up, hearing how excited they were. and then, of course, when we heard the shots fired, immediately, everyone ducked, and i was there to speak to them and hear from them, and heartheir immediate reactions when it all took place. gary o donoghue, from the bbc, where were you? we were set up just close to the exit where people i would come out from, - once the shooting started, and people started running. and we were there with our car, and we were actuallyjust - about going on air- on the bbc world service and you can actually hear this on the bbc world service - recording the shots- being fired live while they re coming to us. and so we weren t penned - in in the way many of the media were, on the riser, - which is the big structure that s often built at the back. of these events, you probably see it, with sort of wood i and metal where the crews all stand. we weren t penned in like that, s
now on bbc news, the media show. hello. have you turned on the television recently and thought it all looked a little bit familiar? laurence llewelyn bowen boisterously doing up people s living rooms, ruby wax looking back at celebrity interviews that she did in the past, and then, look what s coming up never mind the buzzcocks, blankety blank, sex and the city it s a very long list. so, welcome to the era of the reboot, an age when tv executives seem to be poring over dog eared copies of the radio times, looking for formats that they can bring back to our screens. so, why this trend, and why now? is it because the 90s and the naughties were the real golden age of tv after all, or is competition for viewers now so fierce that commissioners are too quick to fall back on what they see as trusted hits from yesteryear? well, let me introduce you to my guests. ruby wax, who needs little introduction actor, comedian, writer, mental health campaigner and clive tulloh, who w