come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Daughter of duane and alma kimberly. no, i m not. i m edward kimberly, the reckless brother of my sister anthea. no! holy [bleep]! the climactic scene in tootsie is this incredible moment where the main story plot and then four or five different sub-plots all climax and turn on that one action. tootsie is what people want movies to be, and very few filmmakers invest the time and the sweat and the integrity to go all the way, which tootsie does. that is one nutty hospital.