through his point out the obvious, really, and then twisted somewhere. i just can t believe the way people are. what is my humanity? what kind of world do we live in? you re not alone. ultimately i think that s what the comics saying. reality is the fodder for comedy because it s what we have. so where else can we find comedy? if not in real life? what fake life, you know? life is real. yeah, we got that. mm hmm. first a philosophical question. have you ever noticed when you re driving that anyone who s driving slower than you is an idiot? and anyone driving faster than you is a maniac. you see a million things a day in your life, and they all go on the back burner of your six burner wolf. ridiculously priced mind comedian comes out and brings it to the front burner. don t like other people s showers. there s always a problem with temperature adjustment. there s always a little hair stuck on the wall. and you want to get rid of it. but you don t want to touch it. i don t know
human condition. the best comedy comes from your living experience. every comic sees the world through a prism that the average person doesn t see through. all we do is point out the obvious really and then twist it somewhere. i just can t believe the way people are, what is it with humanity, what kind of world do we live in? you re not alone ultimately. i think that s what the comic s saying. reality is fodder for comedy. because it s what we have, so, where else can we find comedy if not in real life? as opposed to what? fake life? you know. life is real, yeah. we got that. first a philosophical question. have you ever noticed when you re driving that anyone who is driving slower than you is an idiot? and anyone driving faster than you is a maniac! you see a million things a day in your life and they all go on the back burner of your six burner wolf ridiculously priced mind. a comedian comes out and brings it to the front burner. i don t like other peopl
, i got it for a moment. julie julie, don t insult you know what difference does it make? who pays for lunch? it s totally meaningless. okay thanks, george . here s your big salad to go. thank you. remember i was editing an episode with larry and we took a break for dinner and he turned to the editor and he said carol and i are going to get a bite. would you like something from the restaurant? and she said, yeah. will you bring me back a big salad, and then we got back to the editing room. i took the salad. and i gave it to janet. thank you, julie. you re very welcome. and then, like two months later, there s an episode that he s written called the big salad. she just took credit for my salad. that s not right one that bought it. yes, you did. don t you think she should have said something she could have? i know. it s like hmm, i wonder where they came from. all right, that was me. perfect a lot of larry s humor is based on the difficulty of just being out in the world. everything is a
no, no, i d like to pay for mine. julie, don t insult me. what difference does it make who pays for lunch? it s totally meaningless. thanks, george. here s your big salad to go. thank you. i remember i was editing an episode with larry and we took a break for dinner and he turned to the editor and he said, carol and i are going to get a bite, would you like something from the restaurant? yeah. bring me back a big salad. when we got back to the editing room, i took the salad and i gave it to janet. thank you, julie. you re very welcome. and two months later an episode is written called the big salad. she just took credit for my salad. that s not right. no, it isn t. i mean, i m the one that bought it. you did. don t you think she should have said something? she could have. oh, i know. i wonder where that came from, oh, right, me. perfect. lot of larry s humor is based on the difficulty of just being out in the world and everything is a land mine wai
larry always carried this little notepad in his pocket. whenever something happened he thought would make a good idea, he d write it down and eventually it would wind up in a show. you mean shrinkage? yes, significant shrinkage. it s a little thing i might notice that i could expound on. expound on or expand on? expand on. both. both. expound and expand. yeah. i got it. no, no, i d like to pay for mine. julie, don t insult me. what difference does it make who pays for lunch? it s totally meaningless. thanks, george. here s your big salad to go. thank you. i remember i was editing an episode with larry and we took a break for dinner and he turned to the editor and he said, carol and i are going to get a bite, would you like something from the restaurant? yeah. bring me back a big salad. when we got back to the editing room, i took the salad and i gave it to janet. thank you, julie. you re very welcome. and two months later an episode is written called the