what actually happens to my physical remains is of zero interest to me. i don t want anybody seeing my body. i don t want anybody i don t want a party. reported dead. unless they can provide entertainment value in a perverse or subversive way. i mean, if you could throw me into a wood chirp, spray me into har rod s in the middle of the rush hour, that would be pretty epic. i wouldn t being mind being remembered in that way. one, two, three four five six with the radio on i m in love with massachusetts and the neon when it s cold outside and the highway when it s late at night with the radio on what the [ muted ] am i doing here? i shall explain. one minute i was standing next though a deep fryer. the next, i was watching the sunset over the sahara. i realize that one thing led directly to the other. had i not taken a dead-end dish washing job, i would not have become a cook. had i not become a cook, i would never have become a chef. had i not bec
through southeast asia with layovers here and there. first stop, singapore, a quick business dinner with my editor. tan? tanabalon. tanabalon. okay. tony would come to the narration he would like what is this shit? you know what i mean? he was start scratching things out. first started with a word or two here or sentence or two here. you know then he became man maniacal about it. he really understood, like, this is an extension of me. this is an extension of my writing. i better write in my voice. you know, otherwise this is going to i m going to sound like a travel television host rather than a writer. making tv was becoming creatively satisfying. i wrote the book and yet continued filming. the tail now wagged the dog.
i brilgdsed bridled bitterly at the choke hold of love. outstanding corporal. pet lent view of my bourgeois parents who committed the unpardonable sin of loving me. i m glad we got the chance to do this. me too, yeah. okay. call. yeah, let s shoot another one, yeah. take two. two years ago frequent flier miles meant nothing to me. today miles earned are the pathetic milestones. take turn. we would write the voiceover in the beginning, like we need context for what we are seeing, some summary of the scene. later on another swing through southeast asia with layovers here and there. first stop, singapore, a quick business dinner with my editor. tan? tanabalon. tony would come to the