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Transcripts for BBCNEWS Talking Movies 20240604 16:42:00

The british director is known for features like inception an the dark knight trilogy. when gotham is ashes, you have my permission to die. films that combine spectacele with an intelligence lacking from many studio films. he is one of few the directors who s name can be used to mark a movie, he is one of few the directors whose name can be used to market a movie, and there was a huge supporting cast including matt damon and emily blunt. the story itself is fascinating. oppenheimer s life is fascinating, but he d manages to make it genre bending by where he moves in time and what he reveals as he goes. we have a 12 month headstart. 18. how could you possibly know that? he is able to capture the vastness of ideas and profoundly loves the audience, give so much credit to the audience to keep up and be able to metabolise these big ideas. it s happening isn t it? i don t know if we can never be trusted with such a weapon, but we have no choice.

Transcripts for CNN Reliable Sources With Brian Stelter 20220206 16:49:00

Released by universal let s say might hope to make 50 or $60 million at the box office, but since then we have seen china grow in terms of box office really by factors no one could have anticipated and today a movie being released by universal might hope to make 300 or $400 million. not only that but universal has even spent the past decade building a theme just those 14 years, and i think you re right, it s made a lot of media companies very cautious about what topics they weighed into, what scripts they approve, even down to certain frames or casting decisions they make in every movie they produce. you make the point in your book that china is never portrayed as the villain in any major studio films. whether that s a good thing or bad thing, that s the truth. you never see films where china is the villain. or is that because of the importance of the chinese box

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