It s using technology for the right reasons. one of the most evident pieces of tech is how they transform the walls of the castle. under here is two of the projectors, if we look up here. most of the performances are backed up by dazzling displays using state of the art projectors. a medieval castle, though, is not a flat canvas to work on. talk me through some of the challenges. no. it s really, really quite complex. so, we ve got 23 projectors hitting the castle. they also have back ups in the case of anything failing, which of course it wouldn t do, butjust in case! what s interesting about those is, they re all on this same plane up here. there s some on the floor below us. some are set to portrait, some are set to landscape, the reason being, we really have to hit the castle from all angles to be able to fill in, otherwise you d get lots of shadows. those laser projectors display a 6k canvas. that s 6,000 pixels of horizontal resolution.
But how you use it, and this is where our designers are really good at what they do. it s not just gratuitous use of effect. it s using technology for the right reasons. one of the most evident pieces of tech is how they transform the walls of the castle. under here is two of the projectors, if we look up here. most of the performances are backed up by dazzling displays using state of the art projectors. a medieval castle, though, is not a flat canvas to work on. talk me through some of the challenges. no. it s really, really quite complex. so we ve got 23 projectors hitting the castle. - they also have back ups in the case of anything failing, which, of course it wouldn t do, butjust in case! - what s interesting about those is, they re all on this same plane up here. there s some on the floor below us. some are set to portrait, . some are set to landscape, the reason being, we really have |to hit the castle from all anglesl to be able to fill in, otherwise, you d get lots of sh
Described visually and sonically through the equipment we are sonically through the equipment we are using. obviously what s crilical we are using. obviously what s critical is we are using. obviously what s critical is that where telling a story, critical is that where telling a story, it s notjust about technology but how you use it. and this technology but how you use it. and this is technology but how you use it. and this is where our designers are really and this is where our designers are really good at what they do. are really good at what they do it s are really good at what they do. it s not gratuitous use of effect, do. it s not gratuitous use of effect, it do. it s not gratuitous use of effect, it is using technology for the effect, it is using technology for the right reasons. one of the most for the right reasons. one of the most evident for the right reasons. one of the most evident pieces - for the right reasons. one of the most evident pieces of. f
Nowhere to store them it s a very tight space so we basically craft the look and feel of the show through sound and light. the show is described visually and sonically through the equipment we re using. obviously, what s critical is that we re telling a story. it s not just about technology, but how you use it, and this is where our designers are really good at what they do. it s not just gratuitous use of effect. it s using technology for the right reasons. one of the most evident pieces of tech is how they transform the walls of the castle. under here is two of the projectors, if we look up here. most of the performances are backed up by dazzling displays using state of the art projectors. a medieval castle, though, is not a flat canvas to work on. talk me through some of the challenges. no. it s really, really quite complex. so we ve got 23 projectors hitting the castle. - they also have back ups in the case