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Exaudi. This lunchtime recital, entitled Chromatic Renaissance, intersperses 16th and 17th-century works with a selection of madrigals from contemporary composer James Weeks’s Primo Libro. The program opens with four of Orlande de Lassus’s Sibylline Prophecies 2 pm ET: Hamburg International Music Festival presents Insula Orchestra & Laurence Equilbey. Laurence Equilbey conducts Insula Orchestra and Accentus Choir in an all-Schumann program comprising Vom Pagen und der Königstochter Op. 140, Des Sängers Fluch Op. 139, Requiem für Mignon Op. 98b, and Nachtlied Op. 108. View here. 2:30 pm ET: Wigmore Hall presents Kaleidoscope Chamber Collective. Wigmore Hall’s 120th anniversary sees the Hall’s Associate Ensemble joined by soprano Mary Bevan for Fauré’s ....
Wagner’s Die Walküre. Conductor: Adam Fischer, director: Sven-Eric Bechtolf. With Christopher Ventris, Ain Anger, Waltraud Meier, Linda Watson, and Tomasz Konieczny. Production from January 2016. Register for free and view here. 1 pm ET: Copland House presents Underscored: Jalbert’s Crossings. Vermont-born composer Pierre Jalbert was inspired by the migration of people voyaging into new and unfamiliar places and traces Jalbert’s own French-Canadian-American ancestry. Crossings is built around a folk song from Quebec, Quand j’ai parti du Canada (When I Left Canada), which is deconstructed, reinterpreted, reassembled, and reordered in inventive and unexpected ways. The program features a complete performance of the work, preceded by an introductory conversation with the composer, and followed by a live Q&A with viewers. Register and view here. ....