guillermo del toro is an prior toer of the old-school movie-maker. he never lost the 12-year-old geeky fan boy within himself and i think that s why audiences can relate to his work so much. what you re seeing is the directors using established genres to do something that s actually very idiosyncratic and that you can make an intimate movie which is also a spectacle movie. alphonso caron is great doing that. he can make a movie on one hand like gravity which is incredibly spectacular, that has to be seen on the big screen, but in reality it s a very intimate human movie. i know. we re all going to die. everybody knows that. but i m going to die today. funny that you don t have to know.
what you re seeing is the directors using established genres to do something that s actually very idiosyncratic and that you can make an intimate movie which is also a spectacle movie. alphonso caron is really great at doing that. he can make a movie on one hand like gravity which is incredibly spectacular, has to be seen on the big screen, but in reality is a very intimate, human movie. i know. we re all going to die. everybody knows that. but i m going to die today. funny that you don t have to know, but the thing is that i m still scared. i m really scared. alfonso cuaron is a fascinating director because he s smart, gifted and does all kinds of films.
and shape of water is like clearly his creature from the black lagoon. guillermo del toro is appreciative of the old school movie making. he never lost the 12-year-old geeky fan boy within himself and i think that s why audiences can relate to his work so much. what you re seeing is the directors using established genres to do something that s actually very idiosyncratic and that you can make an intimate movie which is also a spectacle movie. alphonso caron is great doing that. he can make a movie on one hand like gravity which is spectacular that has to be seen on the big screen but in reality is a very intimate human movie. i know. we re all going to die. everybody knows that.
movies. i can see the love of these monsters in his films and you can hear when he talks about it. i mean, you know, it s special. and shape of water is like clearly his creature from the black lagoon. guillermo del toro is appreciative of the old school moviemaking. he never lost the 12-year-old geeky fan boy within himself and i think that s why audiences can relate to his work so much. what you re seeing is the directors using established genres to do something that s actually very idiosyncratic and that you can make an intimate movie which is also a spectacle movie. alphonso caron is great doing that. he can make a movie on one hand like gravity which is spectacular that has to be seen on the big screen but in reality is a very intimate human movie. i know. we re all going to die.