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Artforum International


Julião Sarmento. Photo: Paulo Pires.
IT COULD BE SAID that Julião Sarmento’s major theme was desire. In his work, we are repeatedly faced with opposing points of view subject and object, voyeurism and blindness, dream and reality that repudiate the male gaze by undoing the rote equivalencies between possession and existence. The Lisbon-born artist’s evocations of bodies, often partially or completely erased, demonstrate nothing so much as the impossibility of reaching a final representation of anything; his unsettled forms cling to the illusion, nearly disintegrated today, of an unattainable, secret image.
Beginning in the 1960s, Sarmento constructed an art that combined conceptual and thematic coherence with fluency both in a wide range of media (painting, film, installation, performance, sculpture, architecture) and in methods of production; his practice embraced active participation and dialogue with successive generations and cultural contexts. The consistency o ....

United States , City Of , United Kingdom , Paulo Pires , John Baldessari , Giorgio Persano , Lawrence Weiner , Sean Kelly , Guido Guidi Pilar Corrias , Bernd Kluser , Xavier Hufkens , Los Angeles , Grandes Variantes Amorosas , Venice Biennale , Pilar Corrias , Museum Of Art , Cultural Center , Fine Arts Society , School Of Libertinage , School Of Freedom , Juana De Aizpuru , Tate Modern , North America , Reina Sof , ஒன்றுபட்டது மாநிலங்களில் , நகரம் ஆஃப் ,

Blu-ray: Liberté


by Tom BirchenoughTuesday, 19 January 2021
Into the woods will never feel the same again
Catalan director Albert Serra’s interest in late 18th centuryFrance is well established – his previous film was
The Death of Louis XIV – but the title of his new one has precious little to do with the triadic
Catalan director Albert Serra’s interest in late 18th centuryFrance is well established – his previous film was
The Death of Louis XIV – but the title of his new one has precious little to do with the triadic revolutionary slogan that swept away the French monarchy at the end of it. If ....

Germany General , Baptiste Pinteaux , Ingrid Caven , Woody Allen , Albert Serra , Pier Paolo Pasolini , Helmut Berger , Paolo Pasolini , Madrid Reina Sofia Museum , School Of Libertinage , Marquis De Sade , Special Jury Prize , Reina Sofia Museum , Prussian Duke , Midsummer Night , Vatican Borghias , Second Run , ஜெர்மனி ஜநரல் , இஂக்ரிட் குகை , வூடி ஆலன் , ஆல்பர்ட் செர்ரா , ஹெல்முட் பெர்கர் , மாட்ரிட் ரீனா சோபியா அருங்காட்சியகம் , மார்க்விஸ் டி சதெ , சிறப்பு நடுவர் ப்ரைஸ் , ரீனா சோபியா அருங்காட்சியகம் ,