house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantastic thing at the age of 15 when no one else did, and i didn t have much else to hold onto at the time and if i had not have done art at school, i think god knows who would have happened to me. no idea. this was margate where you grew up. was there any access to museums, galleries, culture? no, see, i didn t even know art museums really existed. there was something like in my mind, when i was real
hello, i m john wilson. welcome to this cultural life, the radio four podcast in which i ask leading creative figures to reveal key moments and cultural works that fired their imagination and had a profound impact on their own art. my guest is tracey emin, an artist who has always put her own life at the centre of her work. in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life has always run through your art but when did the art start? it took off at school because i missed so much school. i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three days a week by law, otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do in art, and i think that s what it was, really, it had become me in a serious way and bec
who has always put her own life at the centre of her work, in drawings, paintings, videos, sculptures and installations, she tells very personal stories. we met in a radio studio in the bbc broadcasting house. welcome to this cultural life. your life is always has gone through your art but wended the art stop? it took off at school wended the art stop? it took off at school because - wended the art stop? it took off at school because i - wended the art stop? it took. off at school because i stopped going to school when i was about 13 and i had to go back when i was 15, i went back for three months and i had to do three months and i had to do three days a week by law, otherwise my mum would have beenin otherwise my mum would have been in trouble with social services and things, and ijust did whatever i wanted to do, and i think that s what it was really, it had become me in a serious way and because the teachers took me seriously and trusted me, that was quite a fantastic th
banning books to stand in the way of teaching america s full history. i never thought i d be a president was fighting against elected officials trying to ban books. > they believe if they repeat a lie enough it will become an accepted truth. not if we can help it. the truth th is, sensible elected officials representing parents who were flabbergasted to learn how perverted their kids curricula has become. because it s driven by activists who demand inclusion and d affirmation. it took a pandemic for moms a dad to notice how pornographic the books have become. here is a sampling. my child s sixth grade english teacher sends out a summer reading material. including gender queer. from this book brother talking to sister. so you never tasted yourself? sister shows brother. for china s lien. this is from a book called looking for alaska. laura randomly asked me have you ever gotten a blow job. i was in the library and this book was on the stand. i d like to reach a page. h
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