For years, the Denver Art Museum has carefully curated which repatriations and deaccessions pieces removed from its collection it chooses to publicly announce, a practice that goes against industry recommendations
For years, the Denver Art Museum has carefully curated which repatriations and deaccessions pieces removed from its collection it chooses to publicly announce, a practice that goes against industry recommendations
Emma C. Bunker's relationship with Douglas Latchford led the Denver Art Museum to acquire pieces that were pillaged from Cambodia's sacred temples. And now relics from Thailand are under scrutiny.