where you kind of get the crappier roles like, the rolesjust weren t as well written, as well developed. it would just be very hard to kind of put kind of your comedy or yourjokes sometimes into it if you didn t have any power. so what i did is i used all those experiences in a positive way and, like, learned stuff from watching these guys and but really wanted to get to the point where i had the power to make the movies and choose the storylines and choose the characters and choose who i put in the movies and it s just cool cos you can be more authentic and put more of your messages and my latest one, it s just so girl power and there s so many. and this is your movie that you re directing next year? uh, no, this is the one i vejust shot. you ve just shot that? yeah, just shot. and you are gonna you are directing a movie as well? yeah, and then i ve now now gone even further and been offered a directing job for a movie script that i ve written called girl group, so that ll g
so i wasjust, like, ok, if i don t go now to hollywood, i ll never make it, so i sold everything that i owned my car, my computer, my apartment everything. i came to america with one suitcase and, like, one little pillow, but like. but it was a bit late, and i was probably overqualified for the very small role i had in bridesmaids. you are now producing, so you ve got credits on the hustle and isn t it romantic? yes, isn t it romantic was my first one. the hustle, with anne hathaway, and then now senior year, which is a big cheerleading comedy. what s that like? tell us a little bit about what how it s different. it s great, it s great to have the power because obviously coming up in the industry, i had to work for, like, a lot of guys, coming up where you kind of get the crappier roles like, the rolesjust weren t as well written, as well developed. it would just be very hard to kind of put kind of your comedy or yourjokes sometimes into it if you didn t have any power. so w
incredible careers. you don t hear enough about that, do we? yeah, you don t hear about it, but normally. because i think 30 s still young. it s like the younger, more ingenue girls and then they develop more, so i wasjust, like, ok, if i don t go now to hollywood, i ll never make it, so i sold everything that i owned my car, my computer, my apartment everything. i came to america with one suitcase and, like, one little pillow, but like. but it was a bit late, and i was probably overqualified for the very small role i had in bridesmaids. you are now producing, so you ve got credits on the hustle and isn t it romantic? yes, isn t it romantic was my first one. the hustle, with anne hathaway, and then now senior year, which is a big cheerleading comedy. what s that like? tell us a little bit about what how it s different. it s great, it s great to have the power because obviously coming up in the industry, i had to work for, like, a lot of guys, coming up where you kind of get th
yes, isn t it romantic was my first one. the hustle, with anne hathaway, and then now senior year, which is a big cheerleading comedy. what s that like? tell us a little bit about what how it s different. it s great, it s great to have the power because obviously coming up in the industry, i had to work for, like, a lot of guys, coming up where you kind of get the crappier roles like, the rolesjust weren t as well written, as well developed. it would just be very hard to kind of put kind of your comedy or yourjokes sometimes into it if you didn t have any power. so what i did is i used all those experiences in a positive way and, like, learned stuff from watching these guys and but really wanted to get to the point where i had the power to make the movies and choose the storylines and choose the characters and choose who i put in the movies and it s just cool cos you can be more authentic and put more of your messages and my latest one, it s just so girl power
that i owned my car, my computer, my apartment everything. i came to america with one suitcase and, like, one little pillow! but it was a bit late, and i was probably overqualified for the very small role i had in bridesmaids. you are now producing, so you ve got credits on the hustle and isn t it romantic? yes, isn t it romantic was my first one. the hustle, with anne hathaway, and then now senior year, which is a big cheerleading comedy. what s that like? tell us a little bit about what how it s different. it s great, it s great to have the power because obviously coming up in the industry, i had to work for, like, a lot of guys, coming up where you kind of get the crappier roles like, the rolesjust weren t as well written, as well developed. it would just be very hard to kind of put kind of your comedy or yourjokes sometimes into it if you didn t have any power. so what i did is i used all those experiences in a positive way and, like, learned stuff from watching these guys