who work together there is nothing but watch. chemistry is the main special sauce. our timing was perfect for each other. you burn a hole in my bed. and we are going to be pals, right? there is one guy, who is out of control, and one guy trying to say come down. you ever disagree on material? no. yeah. the audience has to feel like they are loose and having fun. we are really able to fake fun and looseness. yeah. i actually grew up as a kid on comedy teams. that s how i learned about comedy, on comedy teams. hey, hey, michelle pfeiffer. comedy teams are dependent on harmony, harmony blends into one voice. it s like, wow. i think chemistry is something that you are secure enough that you can be playful. you are kind of delighted in being with them, so it kind of comes out, you feel it. you feel excited. i m not feeling sassy. oh, you are never feeling sassy. you wouldn t know what sassy looks like on me. why don t you eat a bowl of wings? wh
in her name and in her debt. all of us who care about him are indebted to her. she just was so loving to him for such a long time. ain t to play for you and for our audience, andrea mitchell with the secretary of state tony blinken. speaking about tony bennett, he spoke about how the secretary says that bennett connected people so powerfully through music. take a listen. what an incredible career that spanned decades and that rejuvenated in many ways in the last couple of decades of his life with these incredible collaborations with new artists, lady gaga, obviously comes to mind. there s no greater champion of the american song book. if it s gershwin, porter, rogers and hammerstein, that s tony bennett. we ve seen those public performances. he was such an icon. you saw many performances in small settings as well.
martin and lewis had that. they did love each other, at one point, in the beginning, but then they hated each other towards the end. that was a terrific guide. i mean, i was surprised, you know, because i did the jackson every thing a cannot with a good one, you know what i mean? it usually is a lifespan for these comedy teams, for duos in general, whether it be rogers and hammerstein, or lennon and mccartney, or abbott and costello. let me catch a breath, man. you had this explosion of comedy. and when they broke up, in 1956 , it was huge news, april couldn t believe it. we had put in 10 years, 10 very successful years, and we built a kind of theatrical empire, the likes of which no one has ever seen. and there was a very, very strong relationship there. but egos get pulled into this kind of a thing. and the truth is simply that we love one another, and if dean