h ost: this is a terrific kid and engrossing book. begin by telling me why did george washington need conspiring? guest: thank you. he needed inspiring because he has the numbers problem and experience problem. at autopsy had 9,000 people the british had 40,000 troops. host: over the whole course of the war in get as much as 80,000. washington sees what happens they see the revolution right before his eyes after the success of massachusetts. host: what your? 1776 when he really comes over. i consider success at bunker hill. they look to canada to regroup in washington knows when they come back to new york. they come back to new york city and he knows he cannot be to them so he has to use espionage a and a guerrilla warfare agent be smarter than that and to anticipate them so it is the logic that he needs a spy for sale of his own cia. then you find out he has the huge the espionage background. from the event:dash french and indian war so he tells others that this is
and by: and the annual financial support of: hello, i m john lithgow. welcome to american cinema, a 1o-part series that looks at a great american success story of the 20th century. american film is international, popular the world over. from japan to france to brazil, their appeal is universal. what makes a hollywood movie a hollywood movie? is it the story? is it the style? or is it the director? well, it s all of these and more. for almost a hundred years, the american film industry has produced films that have truly engaged the audience. pure entertainment, these films are a sophisticated art form, using highly skilled craftsmen and technological know-how. the style of these films, perfected in the 20s and 30s, isn t easy to see. in fact the classic hollywood style is almost invisible. but that is its aim: to make you, the audience, so involved with the story, so identified with characters that you don t notice the sets, the camera angles or the editing, any of the filmc
and by: and the annual financial support of: hello, i m john lithgow. welcome to american cinema, a 1o-part series that looks at a great american success story of the 20th century. american film is international, popular the world over. from japan to france to brazil, their appeal is universal. what makes a hollywood movie a hollywood movie? is it the story? is it the style? or is it the director? well, it s all of these and more. for almost a hundred years, the american film industry has produced films that have truly engaged the audience. pure entertainment, these films are a sophisticated art form, using highly skilled craftsmen and technological know-how. the style of these films, perfected in the 20s and 30s, isn t easy to see. in fact the classic hollywood style is almost invisible. but that is its aim: to make you, the audience, so involved with the story, so identified with characters that you don t notice the sets, the camera angles or the editing, any of the filmc
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The creator and showrunner of the FX's comedy shares his thoughts about John Mulaney's work on 'The Bear' and 'Everybody's in LA,' for which Mulaney receives the inaugural IndieWire Honors Innovation Award.