of real life may be driving audiences to see this new round of stories. i think we are looking for full expression, exuberance. we are looking for a cinematic experience and we are looking to sing together, maybe. there is more communal experience that we are looking for and more joy. so i think maybe it is something to do with the pandemic. recently, apart from damien chazelle s la la land in 2016, which wasn t an original stage production, rob marshall s chicago is the only other musical to find success a5 a film. it won the best picture oscar in 2002. # that they had it coming, they had it coming - # they had it coming all along #. the musicaljust celebrated its 25th consecutive year on broadway a5 a stage show. its producer knows something about what makes a hit. it has to have a story worth telling and then all of the ingredients have to uphold that story. the piece has to say something, it has to be meaningful.
audiences to see this new round of stories. i think we are looking for full expression, exuberance. we are looking for a cinematic experience and we are looking to sing together, maybe. there is more communal experience that we are looking for and more joy. so i think maybe it is something to do with the pandemic. recently, apart from damien chazelle s la la land in 2016, which was not an original stage production, rob marshall s chicago is the only other musical to find success as a film. it won the best picture 0scar in 2002. # that they had it coming, they had it coming. - # they had it coming all along #. the musicaljust celebrated its 25th consecutive year on broadway as a stage show. its producer knows something about what makes a hit. it has to have a story worth telling and then all of the ingredients have
and a desire to see a better version of real life may be driving audiences to see this new round of stories. i think we are looking for full expression, exuberance. we are looking for a cinematic experience and we are looking to sing together, maybe. there is more communal experience that we are looking for and more joy. so i think maybe it is something to do with the pandemic. recently, apart from damien chazelle s la la land in 2016, which was not an original stage production, rob marshall s chicago is the only other musical to find success as a film. it won the best picture oscar in 2002. # that they had it coming, they had it coming - # they had it coming all along. the musicaljust celebrated its 25th consecutive year on broadway as a stage show. its producer knows something about what makes a hit. it has to have a story worth telling and then all of the ingredients have to uphold that story. the piece has to say something, it has to be meaningful. there are some that are just pu
which wasn t an original stage production, rob marshall s chicago is the only other musical to find success as a film. it won the best picture oscar in 2002. # that they had it coming, they had it coming - # they had it coming allalong.. - the musicaljust celebrated its 25th consecutive year on broadway as a stage show. its producer knows something about what makes a hit. it has to have a story worth telling and then all of the ingredients have to uphold that story. the piece has to say something, it has to be meaningful. there are some that are just pure entertainments, but even they have an underlying story to tell. sometimes great storytelling on broadway does not translate to film. the most modern example being 2019 s cats, which was described as ridiculous by the stage show s composer, andrew lloyd webber.
recently, apart from damien chazelle s la la land in 2016, which was not an original stage production, rob marshall s chicago is the only other musical to find success as a film. it won the best picture oscar in 2002. # that they had it coming, they had it coming - # they had it coming all along #. the musicaljust celebrated its 25th consecutive year on broadway as a stage show. its producer knows something about what makes a hit. it has to have a story worth telling and then all of the ingredients have to uphold that story. the piece has to say something, it has to be meaningful. there are some that are just pure entertainments, but even they have an underlying story to tell. sometimes great storytelling on broadway does not translate to film. the most modern example being 2019 s cats,