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WRITING IN 1973 for Art International, Douglas Crimp reviewed Blythe Bohnen at New York’s A.I.R. (Artists in Residence Inc.) Gallery, the landmark women’s cooperative that opened in 1972, of which the artist was a founding member. That same year, she completed her MFA at Hunter College and was included in the “Annual Exhibition: Contemporary American Painting” at the Whitney Museum of American Art. “Brushstroke,” the near-taxonomic series that Bohnen had started in 1968 and which included 48 Brushstrokes, 1971, a matrix of gesture, instantiated and recalled, that was reproduced on the announcement ....

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