come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
Before they knew who was buying these movies, is teenagers, and the thing they want to do as soon as they watch the movie is then go get the soundtrack so they can relive it. purple rain, purple rain purple rain hit me really hard. to this day, i have yet to see a mainstream film that uses music as an emotion in such an incredible way. i only want to see you only want to see you, purple rain stace, what do you care about mark ratner for? i mean, he s a 16-year-old usher in the movie theater. you have dated older guys. you work at the best food stand in the mall. and you are a close personal friend of mine. there was so much reality in the script of fast times . the way that cameron wrote fast times at ridgemont high is that he went back to high school. i never graduated traditionally, so the idea was i