I m not someone who thinks, well, i m an artist, they will come because i m brilliant. i m like, how do i make something that people are just going to really enjoy? like, how do i entertain these people with everything i ve got? and i always thought mucking around with ideas of rock and roll and virtuosity, which is really what i built my career on, is playing with ideas of punk versus virtuosity, high status versus low status. and i didn t think about it too much, but i think that s what i was doing. i was like, what if i m this weird genius who then is just swearing his box off aboutjesus, you know? darwin s theory of natural selection. i mean, not only is it. what s the word. ? right. if that is an image that is constructed, is the stage persona of tim minchin different to the offstage tim minchin? he really was then. the 2005 guy was a character. it was sort ofjust a person i was pouring my nerves into, probably.
This show i was doing, which at the time was called dark side, might be a bit of a chance. and so i thought. i ve always had a fairly pragmatic attitude to this. i m not someone who thinks, well, i m an artist, they will come because i m brilliant. i m like, how do i make something that people are just going to really enjoy? like, how do i entertain these people with everything i ve got? and i always thought mucking around with ideas of rock and roll and virtuosity, which is really what i built my career on, is playing with ideas of punk versus virtuosity, high status versus low status. and i didn t think about it too much, but i think that s what i was doing. i was like, what if i m this weird genius who then is just swearing his box off aboutjesus, you know? darwin s theory of natural selection. i mean, not only is it. what s the word. ? right. if that is an image that is constructed, is the stage persona of tim minchin different to the offstage tim minchin?
well, i m an artist, they will come because i m brilliant. i m like, how do i make something that people are just going to really enjoy? like, how do i entertain these people with everything i ve got? and i always thought mucking around with ideas of rock and roll and virtuosity, which is really what i built my career on, is playing with ideas of punk versus virtuosity, high status versus low status. and i didn t think about it too much, but i think that s what i was doing. i was like, what if i m this weird genius who then is just swearing his box off aboutjesus, you know? darwin s theory of natural selection. i mean, not only is it. what s the word. ? right. if that is an image that is constructed, is the stage persona of tim minchin different to the offstage tim minchin? he really was then. the 2005 guy was a character. it was sort ofjust a person i was pouring my nerves into, probably. i was hiding behind a sort of. a kind of slightly stuttering,
Pragmatic attitude to this. i m not someone who thinks, well, i m an artist, they will come because i m brilliant. i m like, how do i make something that people are just going to really enjoy? like, how do i entertain these people with everything i ve got? and i always thought mucking around with ideas of rock and roll and virtuosity, which is really what i built my career on, is playing with ideas of punk versus virtuosity, high status versus low status. and i didn t think about it too much, but i think that s what i was doing. i was like, what if i m this weird genius who then is just swearing his box off aboutjesus, you know? darwin s theory of natural selection. i mean, not only is it. what s the word. ? right. if that is an image that is constructed, is the stage persona of tim minchin different to the offstage tim minchin? he really was then. the 2005 guy was a character. it was sort ofjust a person i was pouring my nerves into, probably.
I ve got very curly hair. i decided to straighten my hair, don t know why. and i d lost a bit of weight and ijust thought, ijust had this sense that maybe this show i was doing, which at the time was called dark side, might be a bit of a chance. and so i thought. i ve always had a fairly pragmatic attitude to this. i m not someone who thinks, well, i m an artist, they will come because i m brilliant. i m like, how do i make something that people are just going to really enjoy? like, how do i entertain these people with everything i ve got? and i always thought mucking around with ideas of rock and roll and virtuosity, which is really what i built my career on, is playing with ideas of punk versus virtuosity, high status versus low status. and i didn t think about it too much, but i think that s what i was doing. i was like, what if i m this weird genius who then is just swearing his box off aboutjesus, you know? darwin s theory of natural selection. i mean, not only is it,