Like, a water balloon is the classic subject it s what everyone does first but i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow mo, and then, you re just left with the shape you re left with a big glob of water. i think the most important thing for shooting slow mo, especially when you re getting towards 1000, is you need the right light and you need lots of it. so, for example, under a regular incandescent light bulb orjust like a lamp that you might find at home, chances are you re gonna see the flicker rate of the electrical grid and it looks really unattractive in slow mo, it s really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun the sun doesn t flicker or get massive lights like i ve got, which is the more expensive option. laughs. right then. time to make my own slow mo. and in order to get some precision moves at high speed, we re attaching the 2000 frames per
But i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow mo, and then, you re just left with the shape you re left with a big glob of water. i think the most important thing for shooting slow mo, especially when you re getting towards 1,000, is you need the right light and you need lots of it. so, for example, under a regular incandescent light bulb orjust like a lamp that you might find at home, chances are you re gonna see the flickering of the electrical grid and it looks really unattractive in slow mo, it s really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun the sun doesn t flicker or get massive lights like i ve got, which is the more expensive option. laughs right then. time to make my own slow mo. and in order to get some precision moves at high speed, we re attaching the 2,000 frames per second phantom camera to one another high speed device that gav has recently go
It s what everyone does first but i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow mo, and then, you re just left with the shape you re left with a big glob of water. i think the most important thing for shooting slow mo, especially when you re getting towards 1,000, is you need the right light and you need lots of it. so, for example, under a regular incandescent light bulb orjust like a lamp that you might find at home, chances are you re going to see the flickering of the electrical grid. and it looks really unattractive in slow mo, it s really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun the sun doesn t flicker or get massive lights like i ve got, which is the more expensive option. he laughs right, then. time to make my own slow mo. and in order to get some precision moves at high speed, we re attaching the 2,000 frames per
But i still find it fascinating that you pop a water balloon, the rubber whips out of there almost immediately, even in slow mo, and then, you rejust left with the shape you re left with a big glob of water. i think the most important thing for shooting slow mo, especially when you re getting towards 1000, is you need the right light and you need lots of it. so, for example, undera regular incandescent light bulb orjust like a lamp that you might find at home, chances are you re gonna see the flickering of the electrical grid and it looks really unattractive in slow mo, it s really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun the sun doesn t flicker or get massive lights like i ve got, which is the more expensive option. laughs. right then. time to make my own slow mo. and in order to get some precision moves at high speed, we re attaching the 2000 frames per second phantom camera to one another high speed device that gav has recently got h
Immediately, even in slow mo, and then, you rejust left with the shape you re left with a big glob of water. i think the most important thing for shooting slow mo, especially when you re getting towards 1,000, is you need the right light and you need lots of it. so, for example, undera regular incandescent light bulb orjust like a lamp that you might find at home, chances are you re gonna see the flickering of the electrical grid and it looks really unattractive in slow mo, it s really distracting to see all the lights doing this. yeah. so, shoot outdoors under the sun the sun doesn t flicker or get massive lights like i ve got, which is the more expensive option. laughs. right, then. time to make my own slow mo. and in order to get some precision moves at high speed, we re attaching the 2,000 frames per second phantom camera to one another high speed device that gav has recently got hold of. 0k! laughs. this is bolt.