also take the form of a stag, a beautiful young maiden or even cubs g.m. jed hoyer. so tune in tuesday night and see if azmalor delivers on his promise that, yes, you will have your golden rings, trinkets all, but at a price you cannot fathom. ha-ha, ha-ha! go, cubs, go, and all hail azmalor! announcer: it s the late tonight, stephen welcomes tom hanks! and adam conover! featuring jon batiste and stay human ! and now, live on tape from the ed sullivan theater in new york city, it s stephen colbert! ( cheers and applause ) stephen: grand slam! ( cheers and applause ) ? ? ? hey! welcome to the late show everybody. so glad you re here. i m your host, stephen colbert. and i ve got to say, i am in a fantastic mood, because the chicago cubs are going to the world series, ladies andge that s right. the world cup of baseball! and the cubs, the cubs are playing another lovable loser, the cleveland indians. now, the two teams have a combined 176 years without a championship. to
gam made possible by the financial support of. and the following individuals and foundations. corporate funding for art of the western world is by movado, makers of the movado museum watch, the watch dial design in the permanent collections of museums throughout the world. captioning made possible by the annenberg/cpb project this is siena, a wonderfully preserved medieval city in central italy. at its heyday around 1300, it was one of the most civilized and prosperous places in europe. siena and other italian city-states can stand as a new beginning in our story of western art. hitherto, the old medieval world view had, put simply, divided the classes of society into the aristocracy at the top, the church, and the laboring peasantry at the bottom. in places like this, we see for the first time a new class, conscious of its own identity the merchants. these cities were no longer controlled by feudal lords. they were republics. here in siena, several thousand citizens were el
the watch dial design in the permanent collections of museums throughout the world. captioning made possible by the annenberg/cpb project this is siena, a wonderfully preserved medieval city in central italy. at its heyday around 1300, it was one of the most civilized and prosperous places in europe. siena and other italian city-states can stand as a new beginning in our story of western art. hitherto, the old medieval world view had, put simply, divided the classes of society into the aristocracy at the top, the church, and the laboring peasantry at the bottom. in places like this, we see for the first time a new class, conscious of its own identity the merchants. these cities were no longer controlled by feudal lords. they were republics. here in siena, several thousand citizens were eligible for election to the governing bodies which met down there in the palazzo publica. and in the palazzo, there is a fresco painted in the 1340s which encapsulates their faith in the secu
this is siena, a wonderfully preserved medieval city in central italy. at its heyday around 1300, it was one of the most civilized and prosperous places in europe. siena and other italian city-states can stand as a new beginning in our story of western art. hitherto, the old medieval world view had, put simply, divided the classes of society into the aristocracy at the top, the church, and the laboring peasantry at the bottom. in places like this, we see for the first time a new class, conscious of its own identity the merchants. these cities were no longer controlled by feudal lords. they were republics. here in siena, several thousand citizens were eligible for election to the governing bodies which met down there in the palazzo publica. and in the palazzo, there is a fresco painted in the 1340s which encapsulates their faith in the secular arts of government, in the moderating power of reason in human society. it s called the effects of good government. this marvous fresc
captioning made possible by the annenberg/cpb project this is siena, a wonderfully preserved medieval city in central italy. at its heyday around 1300, it was one of the most civilized and prosperous places in europe. siena and other italian city-states can stand as a new beginning in our story of western art. hitherto, the old medieval world view had, put simply, divided the classes of society into the aristocracy at the top, the church, and the laboring peasantry at the bottom. in places like this, we see for the first time a new class, conscious of its own identity the merchants. these cities were no longer controlled by feudal lords. they were republics. here in siena, several thousand citizens were eligible for election to the governing bodies which met down there in the palazzo publica. and in the palazzo, there is a fresco painted in the 1340s which encapsulates their faith in the secular arts of government, in the moderating power of reason in human society. it s cal