come on! come on, come on, what are you staring for? come on! robinson apparently tired, punched with a fairly well and rocked jake lamotta right to his heels. come on, ray. a director and actor find a story at the right time and the right place. and out comes this amazing combination of cinematic virility and absolute fear. it s like watching an animal. i think raging bull is a great title and the film fulfills the promise. the reality of the boxing and the great slow motion, all the black and white gore. the violence of the flashbulbs going off. when he designed the movie, marty purposefully, he didn t put a clutch on the film. there s no clutch. hey, ray, never went down, man. you never got me down, ray. raging bull is a boxing movie for people who don t like boxing because it s really not about that. it s about this man, jake lamotta, who was based on a real person, who s really at war with himself. come on. harder. harder. i didn t really unde
They ve lost control of the ark of the covenant and indy says, no, i m gonna get it back. and his friend, says, how are you gonna do it? i don t know, i m making this up as i go. that to me was what life was like. we just make it up as we go. and indiana jones is very good at that. we came up with an idea, like a truck chase, and then we figured, well, how do we get the truck chase in the movie? so we had these big kind of subjects and then we kind of reverse-engineered in order for it to earn its place in the story. pi selberg is a master of staging. even when they re moving very fast and cutting very quickly, you always know the lay of the land. he can create suspense out of details big and small. and there s always the action